Memories of the Classical Underworld in Irish and Caribbean Literature
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Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations diff
Our Review
This scholarly work offers a fresh perspective on adaptation studies by examining how classical underworld motifs resurface in Irish and Caribbean literature through what the author terms "classical memories." Scherer's intervention demonstrates that adaptation isn't merely about direct translation but involves memory-driven processes that reconfigure schematic conceptions of antiquity across twentieth and twenty-first century writing. The book traces how de-contextualized classical exports become intertextual memories that shape literary production in postcolonial contexts.
What makes this study particularly compelling is its comparative approach, bridging two distinct postcolonial literary traditions through their shared engagement with classical underworld themes. Readers interested in memory studies, adaptation theory, and postcolonial literature will find Scherer's framework for understanding how cultural memories travel and transform especially illuminating. The book ultimately reveals how classical reception becomes a dynamic process of cultural memory that continues to influence contemporary writing in unexpected ways.
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