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Mikhail Bakhtin

by Gary Saul Morson

Book Details

Publisher:Stanford University Press
Published:1990
Pages:1108
Format:BOOK
Language:en

Reading Info

About This Book

Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Indeed, in a career spanning some sixty years, he experienced both dramatic and gradual changes in his thinking, returned to abandoned insights that he then developed in unexpected ways,

Our Review

This biography tackles one of literary theory's most complex and mercurial minds, charting Mikhail Bakhtin's intellectual journey across six decades of dramatic shifts, returns to abandoned ideas, and unexpected developments. Morson wisely cautions readers against seeking a single, unified theory in a thinker whose work actively resists such neat categorization, instead presenting a portrait of a philosopher in constant, dynamic dialogue with his own evolving ideas. The book meticulously traces how Bakhtin’s key concepts—from dialogism and the carnivalesque to heteroglossia—emerged not from a linear progression but from a lifetime of intellectual re-evaluation and creative recurrence.

What makes this study so compelling is its refusal to simplify Bakhtin’s often contradictory legacy, instead embracing the very dialogic principle that defined his work. Readers seeking a definitive guide to a fixed system of thought may find the lack of a singular thesis challenging, but those interested in the messy, living process of intellectual creation will discover a profoundly honest representation. By honoring the complexity of Bakhtin’s development, Morson provides not just an explanation of the theories, but an experience of the thinking itself, offering a crucial text for students of literary criticism and philosophy ready to engage with a truly polyphonic mind.

Themes

Literary Criticism

Subjects

Literary Criticism