The Palgrave Handbook of Music and Sound in Japanese Animation
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About This Book
This handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically. It offers a unique contribution at the intersection between music and popular culture studies on the one hand, and research on Japanese animated productions (often called βanimeβ) as popular art forms and formats of entertainment, on the other. The book is designed as a reference work consisting of an organic
Our Review
This comprehensive academic handbook provides an essential scholarly examination of the intricate relationship between music, sound design, and Japanese animation, addressing a significant gap in animation studies and musicology. It offers a systematic exploration of how aural elements function within anime as both popular art and entertainment, positioning itself at the intersection of music studies and popular culture analysis. The work is structured as an organic reference that meticulously investigates the sonic dimensions of anime, from iconic theme songs to nuanced soundscapes that define the medium's emotional and narrative impact.
What distinguishes this volume is its scholarly depth and interdisciplinary approach, making it an indispensable resource for academics in animation studies, musicology, and Japanese popular culture, as well as serious anime enthusiasts seeking deeper analytical frameworks. The handbook moves beyond surface-level appreciation to provide rigorous academic perspectives on how sound and music contribute to anime's unique aesthetic language and global appeal. Readers will emerge with a transformed understanding of how auditory elements shape narrative meaning and cultural resonance in Japanese animation, establishing new critical pathways for analyzing this dynamic art form.
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