The Play of the Self

This interdisciplinary exploration examines how play and imitation shape both individual identity and social structures, tracing the mimetic-ludic foundations of memory, desire, and psychological development. The book's three-part structure systematically investigates how cultural codes influence self-formation, how performance shapes social identity, and how artistic representations mediate between psyche and power. Readers will find a sophisticated analysis that bridges philosophical inquiry with psychological theory, offering fresh perspectives on how we construct and deconstruct our sense of self through mimetic processes.

What distinguishes this work is its refusal to treat play as mere recreation, instead positioning it as fundamental to human consciousness and social organization. The analysis moves seamlessly from theoretical foundations to cultural manifestations, making complex concepts about performance and identity accessible without sacrificing depth. Those interested in philosophy, psychology, or cultural studies will appreciate how it illuminates the intricate dance between imitation and innovation in self-formation, ultimately revealing how our most serious identities emerge from our most playful impulses.