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Cover of BIRCH AND JAY

BIRCH AND JAY

by a chance encounter with rebellious Elder Elm. Meanwhile, 19\u002Dyear\u002Dold Birch, seeking her own adventure, left her fathers behind to set out after Jay, to whom she is “promised.” Although extreme weather and wild animals plagued their journeys, they each soon learned that humans were a far more dangerous threat. The Six, leaders of an “old\u002Dfashioned city\u002Dstate,” wanted to use environmentally destructive technology that could return Earth to the brink of collapse. The easy\u002Dto\u002Dfollow narrative switches between Birch’s and Jay’s perspectives in the year 2173 with their storylines half a century earlier. The engaging premise is full of poignant reminders that the greatest challenge humanity faces is itself\u003B the climate change warnings are unsubtle but don’t detract from the steady pacing. Race in this world is an “antiquated” concept\u003B Birch is racially ambiguous, and Jay has Nordic and Asian Indian ancestry."4.3/5(17)

Cover of BIRTH OF A DYNASTY

BIRTH OF A DYNASTY

by a tyrannical dynasty and largely follows two characters as they struggle to survive in a viper pit of political intrigue while also trying to find a way to attain vengeance for atrocities done to their families." />4.2/5(396)

Cover of BLACK MOSES

BLACK MOSES

by Black people.” Following the Civil War, Gayle writes, supposedly emancipated Blacks had good reason to want to leave the South: Reconstruction was fast proving a failure, having been abandoned by the federal government, and resurgent white supremacy forced a choice: “Ku Klux or Kansas.” Kansas was indeed a destination in what Gayle rightly considers the first Great Migration, preceded by a movement to settle white abolitionists there in order to block the expansion of the slave states. “The negotiated and retreating Reconstruction made McCabe’s argument for a Black state for him,” Gayle writes, but Kansas wasn’t all it was promised to be, and was little friendlier than the South in many ways. Although towns such as Nicodemus were founded, they were so isolated and removed from white market centers that self\u002Dsufficiency was all but impossible. Enter Oklahoma, which McCabe promised, as one contemporary newspaper reported, to be “the New Canaan of the Colored Race.” Hundreds of Blacks settled there during the land rush era, but always in the face of opposition from whites, one leader of whom promised that “if the negroes try to Africanize Oklahoma, they will find that we will enrich our soil with them.” Both promised and very real violence finally drove McCabe away, his project doomed, and, on attaining statehood, Oklahoma quickly established Jim Crow laws to ensure white supremacy and crush the migrants’ dreams."4.2/5(43)

Cover of BLACK SOLDIERS, WHITE LAWS

BLACK SOLDIERS, WHITE LAWS

by a white mob was impending, and indeed they met with a confrontation that led to the deaths of 20 people. In response, military historian Haymond recounts, the Army charged 118 soldiers with mutiny. Hammond chronicles, corroborated by a later Army inquiry, that the soldiers’ defense was sorely inadequate\u003B the officer conducting it was not a lawyer, and the trial was laced with perjurious testimony and racist rhetoric. The trial also revealed incompetence, at the very least, of the white officers who commanded the 24th Infantry Regiment, with the officer in charge being “willing to ­either abandon his junior officers to death at the hands of mutinous troops or, assuming that they ­were still alive, leave them to ­handle ­things without him.” Whether there was a mutiny, strictly speaking, remains controversial. If self\u002Ddefense, then, as Haymond notes, it “can be seen as a legitimate, if hasty, military response to a perceived threat,” but if a vigilante action by Black soldiers, then “a criminal act for which­ there is no excuse or exculpation.” In the end, 110 soldiers were found guilty, with 19 executed and the rest sentenced to life in prison. Thanks to the efforts of historians, including Haymond, and the support of numerous retired flag officers with “extensive experience with military justice,” however, the Army granted clemency more than a century later, returning those Buffalo Soldiers to honorable status—too little, too late, of course, but something."4.5/5(19)

Cover of BLACK SWAN SHOCK

BLACK SWAN SHOCK

by the earthquake. Vettori’s detailed disaster\u002Dthemed tale could conceivably prepare some present\u002Dday readers for real\u002Dlife disasters. The author, an emergency\u002Dservices professional, clearly has a taste for disaster fiction, and her take on the calamities erupting around her characters makes them feel real—and there are terrorists afoot, as well. Syia also doesn’t much like the Electromagnetic Sound and Holographic Isler Communication Operating Network that everyone’s using to communicate—especially the “increasingly popular brain implant version”—and it turns out that the good doctor is right to be wary of it. However, Vettori has effectively left that bit of the mystery for the final installment to come.  "

Cover of BLESSINGS AND DISASTERS

BLESSINGS AND DISASTERS

by Okeowo’s account, many of Alabama’s Native Americans, few but politically astute and relatively affluent, seem as wary of their Black neighbors as of their white ones, while the white mayor of Montgomery permitted the erection of historical markers relating to slavery only because he reckoned that they would draw tourist dollars. Okeowo ventures theses that Alabamians and others will find fascinating and provocative, among them the thought that the Lost Cause myth was in good part crafted by “certain white women” and that much of the ugliness of Alabama’s past—“Indian removal, the slave trade, Reconstruction, and Jim Crow”—is absent by design from official histories and “public stories.”"3.8/5(139)

Cover of BONES AND BERSERKERS

BONES AND BERSERKERS

by Frank Lloyd Wright. Others feature the discovery of a haunted well filled with the corpses of soldiers killed in a Civil War battle, gruesome revenge, and monsters like the Boo Hag, a skin changer who sucks blood through sleepers’ noses. All these tales, eerie as they are on their own, are cranked up into screamer territory by Hale’s two\u002Dtone illustrations, which, with indecent relish and fanatical attention to realistic detail, depict fresh and not\u002Dso\u002Dfresh corpses, a radiation victim’s rotted face, a man’s buttocks being hacked off with a sword, leering skeletons, chopped\u002Doff limbs, and creepy night creatures with big, sharp teeth. The cast of storytellers, horrified onlookers, and all\u002Dtoo\u002Doften mutilated victims is racially diverse."4.0/5(5)

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