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Cover of CLEMENTINE

CLEMENTINE

by a squadron of girls who patrol the perimeter, led by a figure called the Gardener. But stability feels strange to this group after the harrowing experiences they’ve endured. Clem struggles to feel at ease, even with her girlfriend, Ricca, there to ground her. Olivia, a new mother, is floundering. Fen is acting suspiciously distant. Amid this uncertainty, something unthinkable happens, leaving Clem crushed. Seeing her vulnerable state, the Gardener offers her a new path forward—but it comes with a price. When she learns that the Gardener may not have the community’s best interests at heart, Clementine must gather her determination to protect those she cares about. The citizens of Nuuk speak Greenlandic and Danish, and Clementine has medium\u002Dtoned skin and wavy black hair. Walden’s hand\u002Ddrawn style feels both elaborate and effortless, playing with light and shadow to enhance her storytelling. Like the other volumes, this series finale crafts an allegory from the horrors of the post\u002Dapocalyptic world, exploring themes of power, trauma, survivor’s guilt, and love in times of darkness."3.9/5(264)

Cover of CLOWN TOWN

CLOWN TOWN

by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex\u002Dboss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?"

Cover of COFFIN MOON

COFFIN MOON

by Name (2024), Rosson returns with an even grungier throwback, dressed up as a vampire\u002Dinfested road novel. In December 1975, just outside Portland, Oregon, roughneck bartender Duane Minor knows he’s on thin ice. His wife, Heidi, a college student who dreams of becoming a writer, is none too pleased with his PTSD and burgeoning drinking problem. Duane is managing to just hold down his in\u002Dlaws’ bar, the Last Call Tavern, but he knows something funny is going on with the business. Meanwhile, Heidi and Duane are both trying to connect with Heidi’s 13\u002Dyear\u002Dold niece, Julia, who was reluctantly sent to them after her mother murdered her stepfather. It’s a rough scene made worse when Duane has a bad run\u002Din at the bar one night with a bunch of bikers led by one John Varley. After the century\u002Dold Varley viciously dismembers both Heidi and her parents, Duane and Julia hit the road seeking vengeance. For horror fans, this is closer to crime fiction than loftier vampire fare—think Richard Lange’s terrific outlier Rovers (2021) or From Dusk Till Dawn in lieu of tortured immortals in velvet capes. Julia’s character takes a dramatic turn after they encounter a sanctuary dubbed the Children’s Museum, led by an ancient, lonely creature called Adeline. Even as he and Julia navigate this bizarre subculture, Duane’s defining characteristic remains the conflict between his inner demons and his outer ones. “You want that man to come forward, that killer I was, but I’ll drown if I do it. I’ll die,” he swears. Meanwhile, John Varley and his psychotic “thrall” leave a bloody trail across the country, chased by one broken man and a little girl with nothing but half a dozen silver bullets to their names."4.3/5(863)

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