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Cover of DRACULA'S BRUNCH CLUB

DRACULA'S BRUNCH CLUB

by the towering, glowering vampire Constantine, who’s banned people. Worse, Dracula’s entire store of “the crimson\u002Dred, blood orange jelly all vampires crave” has been raided. Local farmers have no blood oranges—a blight has destroyed the crops. This proves disastrous even as Dracula tries to regain his brunch\u002Dhosting ground—kale is no substitute for delicious, energizing fruit jelly. The shortage also jeopardizes his standing with his crush, the human Elena, since he’s promised to donate a year’s supply of jelly donuts to her charity auction to help sick children. Something must be done—and it might just involve blood. After all, Count Dracula is a vampire. This book will greatly appeal to young readers looking for comics with a little edge: The gore is mild and cartoon\u002Dsilly, and there are plenty of jokes to lighten the mood. The story moves at a measured pace, and the fun, kid\u002Dfriendly artwork adds depth to the narrative. Gaybba’s color palette predominantly contains cool, moody tones that make the occasional spots of red—mostly jelly and blood—pop. Human and vampire characters have skin in varying shades of blue and purple."4.1/5(224)

Cover of EDGAR ALLAN POE

EDGAR ALLAN POE

by Leland, who leads a Poe walking tour of Providence, Rhode Island, offers a basic introduction to the beloved author’s life and work. Complete with bullet points and sidebars, it writes a biography for the PowerPoint generation. It would be best for middle schoolers who have heard of Poe but need to know more. We get the basic outlines of his life, the list of works, and guides to further reading. Interrupting the flow of narrative are sections titled “The More You Know.” These are little paragraphs, in different type and different color, that offer tidbits of history. Did Poe believe in God? A paragraph raises the question, offers a few tantalizing details (a phrase, a personal letter, an aside), and then concludes: “Like many facets of Poe’s life, it may never be known exactly where he stood on spiritual or religious matters. His love of hoaxes, satire, controversy, and sensationalism often concealed his true beliefs.” Interspersed among these comments are the texts of Poe’s poems, printed in a font that looks like that of an old manual typewriter. The literary criticism goes only so deep: “Poe’s ‘Annabel Lee’ is a masterpiece of gothic romanticism. The poem delves into Poe’s usual themes of love, loss, and grief, describing a childhood love that transcends time and even death.” The best parts of the book retell the last months of Poe’s life—his nuttiness, his drinking, and his strange love affair with death itself."4.2/5(14)

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