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Cover of HAND IN HAND

HAND IN HAND

by the handsome, enigmatic luminary. He is 33, married, and the father of five children, all of whom he left (but still supports) for the love of another woman…whom he has also left. Miriam and Nyezhiner meet at a gathering where a collection of poets, essayists, and novelists are exchanging ideas. Later, the two take a walk across the Williamsburg Bridge in a gentle interlude that signals the beginning of what will become a 30\u002Dyear love affair. Although drawn to the moody poet, Miriam is cautious. Still a teenager when she married and had her daughter Dinaleh, she now needs to find her own path. Nyezhimer, on the other hand, quickly becomes obsessed with her. After a painful confrontation with her husband David (“he came closer, very close, then raised his hand and gave her face a hard slap”), Miriam moves in with her brother, sister\u002Din\u002Dlaw, and mother. A distraught Nyezhimer searches for her, occasionally waiting through the night in the street outside her brother’s house. Veprinski’s dramatic autobiographical novel traces the first tumultuous year of the relationship between the author (Miriam in the novel) and the lyric poet Mani Leyb (Nyezhiner). Ellen Cassedy and Anita Norich have translated the melancholy narrative, first published in Yiddish in 1971\u003B they have beautifully captured the rhythms, humor, and intimacy of the original text. The story is a detailed portrait of a time, place, and culture. Populated by a large cast of Yiddish writers of the day (all of the names have been changed), the novel engages readers with an intriguing variety of artistic personalities and temperaments. "

Cover of HEARTBEATS

HEARTBEATS

by 1980, atop his sport, fame and media scrutiny fed “a creeping sense of panic.” He retired at 26, a decision he regrets, for he “sank” even lower. He got “hooked” on cocaine, made some business mistakes, and now regards the 1990s as a “lost” decade. Though Borg was drug\u002Dfree during his career, his “memories are fewer” about his biggest wins. When you play well, he explains, it’s “like you’re in a trance.” Accordingly, his accounts of his 11 major tournament titles are sometimes terse. He declines to explain, for instance, how he transcended his relative struggles on Wimbledon’s “fast grass” to eventually win five times. He divulges no hard feelings about his great rivalry with John McEnroe, instead sharing an Odd Couple\u002Desque anecdote about pausing a match to counsel the high\u002Dstrung American: “John, it’s only a game.” Borg is forthright about his failings as a father, insightful about the elite competitor’s mindset, and funny on puny 1970s paydays. He was so focused on the next challenge that he’d leave just\u002Dwon trophies in hotels. He lugged a “Santa sack” containing $1 bills on a flight. Borg recently had prostate cancer surgery. He intends “to beat” the disease. As this likable book shows, he’s still a battler. "3.7/5(32)

Cover of HEIRESSES

HEIRESSES

by virtue of their wealth, became sought\u002Dafter wives by men of all classes. These heiresses owned, managed, or had financial interests in plantations that depended on slave labor, which the women were well aware of and condoned. All, Kaufmann asserts, willfully disregarded the suffering their fortunes depended on. Drawing on family papers, letters, diaries, and portraits, Kaufmann offers richly detailed biographies of the women, along with many of the men and women whom they enslaved. She depicts the back\u002Dbreaking labor required of plantation workers, their degrading living conditions, and the abuse they suffered at the hands of owners, overseers, lawyers, and governors. She depicts, as well, those who rebelled: Betsy Newton, for example, one of 400 enslaved people on a sugar plantation in Barbados, who traveled to London to petition for freedom for herself and her children. The heiresses profiled, Kaufmann reveals, are only a small number of at least 150 other women whose marriages brought wealth to Britain. And plantation owners were only part of the nation’s profiteering from slavery: Britons “invested in slaving voyages, either through direct ownership or by becoming shareholders. Some insured the ships.” Others provided manacles and guns. Importers bought sugar, rum, coffee, and tobacco produced by enslaved workers. Kaufmann discovered that some of her own ancestors were involved in trafficking Africans\u003B two family members were Liverpool slavers. She hopes, through this examination of Caribbean women, to raise awareness of the web of connections to slavery throughout Georgian Britain—connections that persist into the present—and to begin a process of making amends."4.8/5(5)

Cover of HELLO SUNSHINE

HELLO SUNSHINE

by a change in color scheme, can disrupt the flow as readers pause to figure out what’s going on. Most central characters present white, and Izzy and Skylar are Asian."4.5/5(39)

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