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Cover of PLAY NICE

PLAY NICE

by a demon. In So Thirsty (2024), Harrison wrote a book about vampires that was also a novel about best friends trying to figure out what to do with their lives. Here, Harrison mines the potential of the haunted house to excavate the abuse that Clio and her sisters suffered as children. Clio is a terrific protagonist. She’s sharp and funny and a little less self\u002Daware than she thinks she is. As she tries to reconcile her own memories with those of her family—including her mother, who left behind an annotated copy of the book she wrote about living in a demon\u002Dplagued split\u002Dlevel in the suburbs—and questions her own sense of reality, Clio unravels. But it’s a necessary unraveling, the kind of annihilation that makes real change possible. This novel delivers truly chilly scenes while also exploring the emotional depths that make horror meaningful. There’s a climactic scene at a family barbecue where Clio sees echoes of her mother in herself, Leda, and Daphne and thinks, “Her ghost is us.” There are many emotionally devastating moments in this novel, but this one captures the essence of them all. Harrison knows that we are, all of us, haunted."4.1/5(8,587)

Cover of POEMS & PRAYERS

POEMS & PRAYERS

by an 18\u002Dyear\u002Dold (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all\u002Dwe\u002Dcan\u002Deat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental\u003B only when he writes of life\u002Dchanging events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job."4.2/5(570)

Cover of Pop Kill

Pop Kill

by a menpō\u002Dmasked hit squad and a half\u002Dburned, knife\u002Dwielding enforcer, Dina believes her best hope is to explain to her boss she has no intention of jumping ship. However, her newfound superspy bodyguard knows just how vengeful Koizumi can be, and that it’ll take more than words to survive his wrath. Writer/artist Johnson tackles his first full\u002Dlength, creator\u002Downed series alongside Painkiller Jane co\u002Dcreator Palmiotti, crafting a tale of espionage that effectively balances the serious and absurd. The multibillion\u002Ddollar companies’ antics mirror real\u002Dlife acts of corporate manipulation, although the cola\u002Dcan silencers and booby\u002Dtrapped six\u002Dpacks are on the wild side. The villains shine bright here, and Goro and Kaito’s antics are hilarious and horrifying. Jon and Dina have good banter, but a perfunctory romance. Santacruz’s pencils fit the genre perfectly, with a modern, cinematic approach to action scenes and a bit of Howard Chaykin influence apparent in the character designs. The soda logos are standouts—as dynamic and believable as real\u002Dworld brands."3.4/5(49)

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