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Cover of ROCKET DREAMS

ROCKET DREAMS

by men who have publicly feuded. But in this well\u002Dsourced account, one company is far ahead. Some of SpaceX’s rockets have been eye\u002Dpopping failures, prompting the company to make an explosion highlight video set to the Monty Python theme. Yet in Davenport’s telling, Musk’s hard\u002Ddiving management has propelled his company to preeminence. Musk started employee meetings at 11 p.m. and “barely sleeps.” Conversely, Bezos sometimes worked only Wednesdays at Blue Origin, trying to make it an Amazon\u002Desque “‘Everything Company’ for space.” Davenport, a space\u002Dindustry reporter for the Bezos\u002Downed Washington Post, doesn’t ignore Musk’s controversial tenure with the second Trump administration or Bezos’ recent attempts to win favor with the president. But his focus on pre\u002D2025 events makes for a long\u002Dview perspective on what he calls a new era of space travel, which will not only take humans back to the moon but “allow movement through space”—someday, maybe to Mars. Davenport interviewed both men and scores of their employees. SpaceX won the biggest government contracts to ferry satellites and astronauts to space, but after Musk smoked pot on Joe Rogan’s podcast, the company had to submit to a time\u002Dconsuming NASA investigation of its workplace culture. Though Bezos talked about “expand[ing] out into the solar system” to find new energy sources, by 2021 his company “had yet to even reach Earth orbit,” while SpaceX had launched almost 2,000 satellites. Davenport goes off course only once, recounting a third space mogul’s vain effort to wrest the spotlight. But much more often, he deftly blends nuanced portraits of his principals with accessible explanations of the relevant technology and fascinating space lore."4.3/5(14)

Cover of RODEO HAWKINS AND THE DAUGHTERS OF MAYHEM

RODEO HAWKINS AND THE DAUGHTERS OF MAYHEM

by Rodeo Hawkins, raffish daughter of the Chaos King, who wields a lasso made of pink bubble gum and heads a motley but capable squad of “femininjas.” Young Sidney—the very last of the name, still alive and, inexplicably, the only one who’s a boy—is pitched headlong into a struggle to survive. This battle escalates climactically into a desperate, last\u002Dditch effort to save the very multiverse he’s supposedly destined to destroy. As Wookieelike Daughter of Mayhem warrior Bugbear eloquently puts it, “Goowee poo poo.” Making effective use of silent reaction shots in her cleanly drawn panels to heighten the effects of punchlines and dramatic turns, Miles highlights the notably diverse cast, including the two leads (who have brown skin and dark hair), multiverse cognates (who are the same person except that one lives on an Earth where humans have green “photosynthetic skin”), and a nameless, bodiless consciousness who calls herself “Go.” The fast pace, lively and creative illustrations, and humorous moments will draw readers in."4.9/5(9)

Cover of ROPE

ROPE

by the close, he reveals rope as a potent metaphor for human society and the fibers that bind us. The next time readers hold a length of rope in their hands, it will be with heightened respect and admiration."3.8/5(169)

Cover of ROYAL GAMBIT

ROYAL GAMBIT

by turning into trees and stegosauruses and unusual modes of death involving energetically implanted brain cubes. The occasional borrowed tiara on her head, Alix moves through an environment where nothing is ever quite what it seems. The closer she comes to finding Edmund’s killer, the more Alix uncovers about the secrets surrounding her position within both the Checquy Group and the royal family."4.4/5(989)

Cover of SAVING THORNWOOD

SAVING THORNWOOD

by their cruel aunt. When Anne encounters what appears to be Mary’s ghost in 2022, Mary asks for help. Here, the narrative upends the typical ghost story. Mary and Anne are very real to each other, and they wind up meeting on a regular basis. Mary even gets to try modern ice cream for some comic relief. But how does one help someone who has been dead for over a century? Rust and Surface’s inventive setup alternates between Mary’s and Anne’s narrations and mixes elements of time travel, mental health awareness, harsh 19th\u002Dcentury mental health “treatments” (such as locking patients in a box for “several hours up to several days”), teenage drama, and the supernatural. It’s a unique mélange that keeps readers guessing about what comes next and in which century it will occur. Occasionally, the dialogue drifts toward the obvious. At one point, Anne observes, “My heart is beating erratically now.” Elsewhere Mary says, “On my way to the graveyard, I try to quell the fluttering in my stomach, but I can’t.” Still, the pages fly by as readers race to learn the fate of Thornwood and all its residents."4.6/5(7)

Cover of SCHOOL DANCE

SCHOOL DANCE

by a self\u002Dinduced hex: Every time he dances, disaster follows. After mortifying experiences at a friend’s bar mitzvah and a group dance lesson, Milo is utterly dejected when he hears about the upcoming Snowball Soiree. Luckily, Abue, his beloved abuela, has moved into the Castillo home. Even though she’s been warned against driving, Abue whisks Milo and his friends off to experience live Tejano music, which he enjoys both musically and aesthetically. The experience leaves him with a stronger connection to his heritage as well as more self\u002Dconfidence in his dancing—but Milo feels guilty for lying to his parents about Abue’s driving and conflicted about where to draw the line when trying to please others. When Abue’s failing eyesight catches up with her clandestine drives, Milo must make a hard choice. This latest entry maintains the high standards of Sax’s series. Milo is wholly relatable and accessible, adroitly portraying the ups and downs of adolescence. Sposto’s vibrantly alluring colors and Sax’s gift for highlighting facial expressions and emotions imbue Milo’s journey of self\u002Dacceptance and confidence with deeper levels of nuance that are certain to resonate with readers long after the last page is turned."4.0/5(111)

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