All Book Reviews

Browse our complete collection of 8,532 book reviews — page 61 of 86

Showing 100 books
Cover of SOUL MACHINE

SOUL MACHINE

by MCorp’s charismatic leader, Maya, but when she gets in trouble, she’s rescued by members of the Nuspiritualist resistance group led by healer Persie. The efficient use of dialogue, especially on pages with large numbers of small panels, demonstrates the care Globerman puts into each composition. Determined to find her own path in life, Chloe eventually rejects both the self\u002Dproclaimed “girlboss” Maya and naturalist ideologue Persie. Her journey takes a particularly affecting turn during a dream sequence in which she navigates a surreal game show in search of her mother. The science behind breth and Digibreth is never fully explained, but the abstract metaphysics are a feature not a bug, inviting readers to interpret the story in ways that have “no wrong answers.” Globerman uses a strikingly different monochromatic palette for each setting, including greens, blues, pinks, and yellows, lending a distinct feel to each leg of Chloe’s (and readers’) journey. "3.3/5(120)

Cover of SPACE VAULT

SPACE VAULT

by locals, but by top government officials and powerful oligarchs. This opening storyline offers a glimpse into the book’s near\u002Dfuture world, which is dependent on the genetic modification of plants. In Iowa, Shiko Tanaka, born in a rotating space habitat and sent to Earth for his first job with GLOSCOM, an agricultural science company, soon learns his employer’s practices contribute to “environmental degradation, loss of biodiversity, and socioeconomic inequalities in access to nutritious food.” Shiko starts investigating GLOSCOM’s possibly nefarious interest in planet Earth, which leads him to Lagos and NIPAH. Meanwhile, far above Earth, the Tritans, a High Council of aliens on a spaceship whose home planet is dying, must revive their planet or move to another one. They send out probes for suitable new homelands and find Earth promising. After all, the blue planet’s levels of pollution mean it will soon be uninhabitable for humans, but the land is still productive despite its many barren patches. The Tritans might also steal seeds from the seed vault, whose bioengineered plants may help restore their ailing planet. Teagan Ward, the lead, doesn’t appear until later in novel, when she’s giving birth to her baby, Diana, in California. The genetic modifications Teagan underwent in lunar prison also prepared her body for Diana, “a species designed for survival beyond Earth” with “enhanced cognitive processing, superior cellular regeneration, and resistance to radiation and extreme conditions.” From there, the disparate story lines quickly converge as Clift ramps up the action, showcasing his deftness at building suspense: “The sound grew louder, like the steady hum of machinery, blending with the rustle of the grove’s leaves. It was almost hypnotic, yet unnerving.” If the story’s scope and large cast occasionally overwhelm readers, mesmerizing worldbuilding and Teagan’s likability keep it from spinning out of control."4.9/5(16)

Cover of SPECTRUM

SPECTRUM

by anti\u002Dglobalization protesters in 1999, where teen runaway Melody Parker meets Echo, an androgynous, glam vision in spiky blond hair, white pinstripe jumpsuit with red\u002Dorange accessories, and blue lipstick and nail polish. Echo explains that Melody is actually an eons\u002Dold, reincarnating demiurge destined to settle a celestial war by restoring the primordial music of the universe. Sensing that Echo and her space\u002Dsuited minions are bent on destruction, Melody leaps off a radio tower, sprouts cicada wings, flies to Los Angeles, and meets record\u002Dshop owner Ada Latimer, whose long\u002Dlost father, Leon, a bassist in the band The Opticks, plays a murky role in the Melody\u002DEcho conflict. Fleeing Echo, Melody and Ada travel to 1936 New Orleans, where the narrative follows a noirish subplot about a love affair between a photographer and a married woman. Melody and Ada then chug off on a magical train called Glory, which is steered by songs. Ada takes a turn as a punk\u002Drock chanteuse while Melody confronts George Parker, a tweedy record producer who claims to have created her as an immortal weapon against the abyss. Melody and Ada reunite and find the dementia\u002Dstricken Leon on his deathbed—but so does Echo, now a 1,000\u002Dfoot\u002Dtall colossus\u003B she vows “to kill the infernal fridge buzz of existence” unless Ada can divine from Leon the song that will defeat her. Quinn’s kaleidoscopic narrative verges on incoherence, but the characters—especially the brassy Echo—are magnetic, and the dialogue is ardent and lyrical in its odes to the creative spirit. (“The only way to achieve transcendence is to risk madness.”) Chisholm’s artwork nicely balances throbbing color, psychedelic ambiance and off\u002Dkilter perspectives with kitchen\u002Dsink realism in quieter scenes depicting Ada’s childhood. The result is a compelling blend of tuneful mysticism and eye\u002Dpopping visuals."3.6/5(43)

Showing books 60016100 of 8,532