WHAT FURY BRINGS

by currying favor with the wealthy nobles, Olerra decides on a different tactic, the time\u002Dhonored Amarran tradition of kidnapping a husband. Her target is a good\u002Dlooking younger prince from the neighboring country of Brutus, but she accidentally and unknowingly nabs Sanos, the king’s eldest son and heir to the throne. She drags Sanos back to Amarra, where he’s treated with all the contempt for men that is normal in her society: He’s dressed as a sexual plaything, forced to shave his beard and body hair, leashed and restrained for bad behavior. Olerra can’t understand Sanos’ objections to this treatment, and the ensuing power struggle makes up most of the plot. Marketed as romantasy, Levenseller’s first adult novel falls flat as both romance and fantasy. There is little connection or chemistry between Olerra and Sanos, and since both are more caricature than character, neither experiences the kind of growth that creates challenging or interesting romantic relationships. In addition, the worldbuilding is paper thin. Amarra is a world built on reverse misogyny, but the motifs, imagery, and scenes often read more like a brainstormed list (a penis guillotine!) than a fully realized attempt to say something meaningful about women’s rage."