Picture Books for Teens

339 picture books for teens, sorted by rating — page 4 of 4.

Cover of THE WOMAN WITH FIFTY FACES

THE WOMAN WITH FIFTY FACES

R. Crumb, or as if Art Spiegelman’s Maus were told by Mr. Natural. There is a trippy terror to the book: Mouths distort, noses grow, eyes bulge out. Its bizarre genius is to take a woman known for her face on Modernist canvases and transform her into a visage fit for 21st\u002Dcentury comics. Lani was an artist of impersonations, a true charlatan worthy of this book’s outré imagination."

This psychological thriller follows a woman whose fractured identity manifests as fifty distinct personalities, each with their own memories and motivations. When a series of unexplained events begin...

Cover of THE WOMEN'S ORCHESTRA OF AUSCHWITZ

THE WOMEN'S ORCHESTRA OF AUSCHWITZ

the Shoah Foundation. Crucially, she tells the story not only of the players, but also of their audience of fellow prisoners. “How could we play light music here, against the background of the flames and black smoke that billowed day and night from the crematoria chimneys?” reflects one survivor. The author leaves open the question of whether the music helped prisoners or intensified their suffering. She makes clear, however, that the orchestra did not play during the “selection” of poor souls sent to the gas chambers. The players’ musical skills saved at least their own lives, exempt from the work squads, though they themselves were exhausted and starving, and Jewish orchestra members were always vulnerable to “selection” for gassing. Their resident block was mere meters from a crematorium, and human ashes settled inside some of their instruments. They experienced the “scandal of music at Auschwitz on a daily basis,” as the Nazis’ abuse of music was itself “a form of torture.” Their playing was an “effort to claw back something of what it meant to be human.”"

This powerful historical account chronicles the true story of female musicians forced to play for their survival in the Auschwitz concentration camp, offering young readers a profound look at resilie...

Cover of THICK WITCH TRAVELS

THICK WITCH TRAVELS

a seeming unscrupulous magic-wielder in Ives’ YA fantasy sequel to Fat Witch Summer (2023)." />

A seemingly unscrupulous magic-wielder navigates treacherous alliances and complex moral landscapes in this YA fantasy sequel, where magical travel between realms forces difficult choices about power...

Cover of THIEF OF NIGHT

THIEF OF NIGHT

a Blight, and he doesn’t want the Cabals to face the blowback if the truth becomes public. Mr. Punch could do terrible things to Charlie if she fails, but if she succeeds, he’ll help Charlie and Red be free of the Cabals for good. The sophomore novel in a series is always tough, but this sequel proves that the second book can be even better than the first. Black turns the screws on the magical world she set up in Book 1, creating complicated political motives between Charlie and the Cabal leaders and making the question of what it means for a shadow, like Red, to have their own consciousness more interesting. Veteran con artist Charlie makes some truly brilliant moves, especially toward the end, where the last few chapters have one terrific surprise after the other."

A teenage thief with a rare gift for manipulating shadows finds her skills pushed to the limit when she's forced to pull off an impossible heist from the city's most fortified fortress. This fast-pac...

Cover of THIS IS FOR EVERYONE

THIS IS FOR EVERYONE

“monopolistic players,” isn’t “in such great shape.” The British computer scientist explains complex technology in accessible language, leaving room for ample self\u002Dpuffery. Berners\u002DLee was working at CERN, the celebrated Swiss physics lab, in the 1980s when he sought “to encourage new and unexpected relationships between pieces of information.” A version of the internet already existed, and “by layering hypertext links onto” it, “we could connect” people everywhere, he realized. He was celebrated for persuading CERN to publish his source code instead of patenting it, part of his decades\u002Dlong effort to make information “accessible and open.” The book’s first third is excellent. Along with his web breakthroughs, Berners\u002DLee lovingly describes how his mathematician\u002Dparents nurtured his creativity. He built a “homebrew” computer in high school and an intercom for his family’s house. The web made Berners\u002DLee famous—Time magazine dubbed him one of the 20th century’s most influential people—and his book doesn’t skimp on the fruits of his renown. He writes of being name\u002Dchecked by Bono during a U2 show and lunching with Queen Elizabeth II: “Her Majesty seemed to enjoy my presence.” He won awards, enough that “I was used to giving acceptance speeches.” Quoted at length, Berners\u002DLee’s wife calls him “open\u002Dminded, fair, resourceful and very kind,” an “obviously brilliant” person who has “complete respect for humans and nature.” Canonization awaits, evidently. Today, Berners\u002DLee works on initiatives to make the internet more humane, to protect users’ privacy, and to urge governments to be more transparent. Artificial intelligence will be “transformative,” and it’s up to citizens to help “define the terms that will govern” the future of technology."

This vibrant picture book delivers a powerful message of inclusion and belonging through simple, direct language and bold, expressive illustrations. The narrative celebrates diversity in all its form...

Cover of THIS PLACE KILLS ME

THIS PLACE KILLS ME

Kita is trying to adjust to life at Wilberton, an all\u002Dgirls boarding school. Her roommate, Claire, barely acknowledges her, and Abby spends most days trying to ignore the unkind whispers of her classmates. The members of the Wilberton Theater Society stage a successful run of Romeo and Juliet—then the body of Elizabeth Woodward, who played Juliet, is found after a raucous cast party. Rumors run rampant, and Abby’s tragic past seems to be coming back to haunt her as the other girls begin to speculate about her involvement in Elizabeth’s death. Abby gradually builds a tenuous friendship with Claire. Together, can they find out not only the truth but its connection to a dark, shocking secret buried in Wilberton’s history? With its stunning two\u002Dtoned gray and pink illustrations that cue a 1980s setting through images such as a Walkman, phone booth, and clunky desktop computer, this collaboration between Tamaki and Goux isn’t just a clever and heartbreaking mystery but a deeper examination of bullying, homophobia, and belonging. The central puzzle is certain to leave readers breathlessly enthralled, turning pages as quickly as possible to get to the shocking truth behind Elizabeth’s demise. Abby presents Japanese American, and most other characters read white. "

A troubled teen is sent to a remote boarding school where students keep disappearing under mysterious circumstances, forcing her to uncover the institution's dark secrets before she becomes the next ...

Cover of THREADS OF EMPIRE

THREADS OF EMPIRE

nomads. From earliest times, Armstrong asserts, carpet weavers have been women, honing their skills in carding, spinning, dyeing, knotting, setting warps and wefts, and designing or reproducing patterns. Considerable skill, as well, Armstrong has found, is involved in rug restoration and repair. For centuries, rugs have been associated with the rich and powerful: Potentates, chieftains, robber barons, and collectors considered the acquisition of prized rugs as a reflection of their own status. Attribution of a rug’s creation and provenance also connects to power. The startling beauty of a particular rug in the collection of the Victoria \u0026amp\u003B Albert Museum led to the assumption that it was made by a team of men. That conclusion, Armstrong asserts, “suited a nineteenth\u002Dcentury Western view which held that if an object was art then it was created by men, and that what women practised was a lesser form of creativity described in the West as craft.” Armstrong reveals the exploitation of rug makers that continues to the present. Twenty\u002Dfirst\u002Dcentury rugs sold in department stores are often crafted by “weary refugees in makeshift encampments” who create products for international trade to design and color specifications and are marketed through export houses. Nevertheless, as Armstrong’s richly detailed history shows, even modern rugs can shimmer with glamor and mystique."

This sweeping historical epic plunges readers into the heart of a crumbling empire, weaving together the fates of a defiant street thief, a reluctant heir, and a scholar guarding dangerous secrets as...

Cover of THREE REVOLUTIONS

THREE REVOLUTIONS

Genre

This timely examination of transportation's past, present, and future charts the course of three pivotal shifts: the rise of automobiles, the ongoing electrification of vehicles, and the emerging aut...

Cover of TO LOSE A WAR

TO LOSE A WAR

the Taliban. Basing his accounts on numerous sojourns in the country over that two\u002Ddecade stretch of the American war, Anderson is particularly good with the small, revealing details of daily life, such as the interaction of the citizens of Kabul with the Taliban: “For the most part, they seemed to ignore each other, as if they came from different worlds but were forced to coexist.” Early in the war, he notes, the one man who knew where bin Laden might be hiding was assassinated. That would be a common theme, as tribal leaders across the nation were targeted by rivals\u003B even so, Anderson observes, the government of Hamid Karzai, “built on uneasy alliances, accommodated a range of aggressive warlords and corrupt officials.” Much of Afghanistan is “preindustrial,” governed by the rhythms and mores of rural life in small towns and villages where, the author writes memorably, “lambs are tethered next to men with long knives who slaughter them and hang the carcasses from hooks, hacking them into a steadily diminishing mess of blood and meat and bone and fat by day’s end.” One of the many flaws in American strategy there, it seems, was to assume that the country was more modern and ready for democracy than it was. Indeed, he remarks at the end of the book, “there is now no place on earth that is more oppressive for women than Afghanistan.”"

This powerful historical novel plunges readers into the immediate aftermath of World War II through the eyes of German teenagers grappling with their nation's defeat and the staggering moral collapse...

Cover of TOGETHER IN MANZANAR

TOGETHER IN MANZANAR

neighbors, were never returned. In 1988, President Reagan signed a bill apologizing for the internment. Each survivor received $20,000. Caucasians, including Elaine, were excluded."

This powerful historical novel transports readers to the Manzanar internment camp during World War II, following a Japanese American family's struggle to maintain their dignity and unity under the ha...

Cover of TOMORROW IS YESTERDAY

TOMORROW IS YESTERDAY

Jordan.” While looking ahead, the authors offer a riveting insiders’ account of high\u002Dstakes statesmanship. Then–Secretary of State John Kerry brought unequaled “passion and enthusiasm” to the negotiations, but his work was for naught, in part because his boss—President Obama—didn’t leverage the billions of dollars in U.S. military aid that goes to Israel to forge lasting peace. Past Palestinian leaders were often chided for “never miss[ing] an opportunity to miss an opportunity,” but the authors, looking closely at peace talks since the 1990s, demonstrate that this is a major oversimplification."

This thought-provoking novel explores the complex emotional landscape of a teenager grappling with time, memory, and the weight of personal history through an inventive narrative structure that moves...

Cover of TRIPPING OVER YOU

TRIPPING OVER YOU

Genre

This raw and authentic YA novel explores the tender, tumultuous journey of two teens navigating first love and mental health struggles. The story follows a high school romance that blossoms between t...

Cover of TRUMPETS OF DEATH

TRUMPETS OF DEATH

Genre

This gripping thriller plunges readers into a high-stakes world of espionage and ancient conspiracies, where a young protagonist stumbles upon a secret that could alter global power structures. The n...

Cover of TWITCHLAND

TWITCHLAND

Pyrink perfectly complement the story’s thematic impact (their utilization of contrasting color, in particular, is noteworthy). Scenes in the local doughnut shop, for example, are depicted in vibrant yellows, pinks, and oranges while sequences at the nuclear reactor site and in shadowy back alleys feature unnatural greens and purples. Lastly, the (timely) subject of the country’s drug overdose epidemic was woven into the storyline with an interesting supernatural twist, and Richland itself was based on the real city of Richland with its dark history."

THE BEHIND: PAINED MASK is a remarkable collection of poems that has been thoughtfully crafted over an impressive span of eighteen years. Life, in its myriad forms, doesn't always unfold in an uplifting manner when we are deeply affected by the repercussions of our own actions. However, it is precis

Cover of ULTRAWILD

ULTRAWILD

chickens that recycle food scraps to create nutrient\u002Drich poo collected by robotic dung beetles, and flying bicycles lifted by “biogas booster pants.” “Everything in this book,” Mushin writes, “is THEORETICALLY POSSIBLE” and if implemented would not only save vanishing species, but would “CRUSH CLIMATE CHANGE like a Matchbox car in a vise.” Readers may find some of his proposals hard to absorb, since he insists on cramming every oversize page with Rube Goldberg–style diagrams or cutaway views of zany factories and devices, and the work is rife with dense bursts of hand\u002Dlettered narrative. Still, the urgency of his message that we are teetering on the brink of catastrophe comes through loud and clear—as does his fundamental optimism that we can still pull off a save. Urging readers to work on “ludicrously brilliant new ideas” of their own, he closes with a flurry of “Invention Starter” prompts. The small line\u002Ddrawn cartoon figures in his illustrations have skin the color of the page."

An innovative guide to reconnecting with the natural world through radical thinking and hands-on projects, this book challenges young readers to see their urban environments as ecosystems teeming wit...

Cover of UNCOMFORTABLE EITHER WAY

UNCOMFORTABLE EITHER WAY

steps that readers may take to change their current course. A Life Inventory exercise particularly stands out for its usefulness, as it guides readers to assess where they are now, where they want to be, and what’s standing in the way of their goals. Eaton makes his advice relatable\u003B for instance, a story about “Eighty Percent Brett,” a version of the author who held back, helps to ground the work. By reflecting on his own decisions, the author drives home the book’s central theme of choosing reality over safety, in a way that feels personal, rather than sermonlike. Some ideas will be familiar to seasoned readers of motivational literature, but Eaton’s energy, earnestness, and easygoing style gives them renewed weight. His writing is brisk and unpretentious, and the book’s digestible format and consistent pacing make for an engaging read. "

This powerful novel explores the raw emotional landscape of teenage identity through a protagonist caught between two worlds, unable to find solid ground in either. The narrative delves into the inte...

Cover of UNICO

UNICO

Mother. Meanwhile, the evil goddess Venus covets Unico’s horn for her own purposes and summons Iver, a reptilian interstellar hunter from the “deathly garden,” where she’s stored beings who might be useful to her. She sets Iver free to seek Unico across space and time and “make him and those around him suffer.” The storyline is highly energetic, and the bright, dynamic frames and varied layouts will sustain readers’ interest. The characters and intriguing settings are nicely detailed, and the rich colors and effective use of light and dark contribute to the atmosphere. "

This graphic novel adaptation of Osamu Tezuka's classic manga brings the magical world of Unico to a new generation of readers, following the adventures of a tiny unicorn blessed with the power to br...

Cover of VERN

VERN

Genre

This middle-grade novel offers a fresh take on the classic coming-of-age story, following a young protagonist navigating the complex social dynamics of middle school while discovering unexpected cour...

Cover of V​IA WONDERMENT

V​IA WONDERMENT

virtue of its friendly, approachable style. The author maintains an encouraging, playful tone, which motivates readers to try new things rather than follow strict rules. The book places more emphasis on intuitive connections than scientific evidence—readers who require empirical proof or structured methods for change might be disappointed by the guide’s abstract nature. Those who welcome spiritual and psychological elements along with self\u002Dhelp principles will find that Gottlieb’s heartfelt guidance leads them to rediscover their creative power and innate abilities."

This vibrant collection of poetry invites young readers on a lyrical journey through the wonders of the natural world, exploring themes of curiosity, discovery, and the magic found in everyday moment...

Cover of VICTORY '45

VICTORY '45

the spring of 1945 huddled in his Berlin bunker directing imaginary armies and planning his suicide. A few aides stuck by, but most were planning to save themselves. The most successful was SS General Karl Wolff, in Italy, who managed to impress OSS chief Allen Dulles\u003B fend off rival (and perhaps nastier) competitors, Heinrich Himmler and Ernst Kaltenbrunner\u003B persuade leading Wermacht generals to surrender with absolutely no conditions\u003B and protect himself against prosecution for his crimes. Wolff took enormous risks (visiting a deeply suspicious Hitler during his final weeks) but succeeded eventually in testifying for the prosecution at Nuremburg. British Field Marshal Bernard Montgomery handled the surrender of German forces in north Germany on his own with a nod to his superior, Supreme Allied Commander Dwight D. Eisenhower, who preoccupied himself with the iconic May 7, 1945, official German government surrender. The authors precede that with accounts reminding readers of Nazi awfulness: a teenage Jewish boy’s years in concentration camps, a young American soldier’s experience encountering his first camp, and the chaos that engulfed Germany during and after the war. On the Pacific front, Japanese leaders, aware by 1943 that they were losing, worked to convince America that every Japanese man, woman, and child would fight to the death before surrendering. They assumed that the U.S., faced with this threat and lacking Japanese fortitude, would negotiate a compromise peace. By cruel irony, American leaders were indeed convinced of Japan’s resolve, but they did not negotiate\u003B they proceeded by unleashing an almost genocidal firebombing and two atomic bombs that, aided by the massive Soviet invasion, produced the desired surrender."

This gripping historical novel plunges readers into the final, chaotic months of World War II through the eyes of a determined teenage girl. As Allied forces push toward victory, she navigates a land...

Cover of Villancico Yaucano (Childrens Books) (Spanish Edition) by Amaury Veray

Villancico Yaucano (Childrens Books) (Spanish Edition) by Amaury Veray

Amaury Veray

Versión ilustrada del villancico navideño de Puerto Rico.

Cover of WAGNIFICENT

WAGNIFICENT

a wolf at his side) is larger and fiercer than Thunder’s. The minuscule Byron encroaches on Thunder’s territory: He urinates indoors, sleeps in Thunder’s bed, and demands that Thunder give him her bone. Furious, Thunder barks and growls until the smaller dog scurries out through a hole in the fence. Though Thunder’s initially elated to have her home to herself, Sage is devastated to discover Byron gone, and the two set out to find the runaway. With a clearer understanding of their household roles (and a happy ending for everyone), the pets and people alike grow in awareness of the finer points of inter\u002Dcanine interactions. The conflict in this volume adds intrigue and momentum to the previously established episodic chapter structure. Murguia’s upbeat cartoon illustrations are occasionally interrupted by “Thunder’s Rules” interludes, which highlight what behaviors are more acceptable for dogs to exhibit with one another vs. with humans. Sage is light\u002Dskinned and purple\u002Dhaired\u003B other humans vary in skin tone."

This vibrant counting book transforms early math concepts into an engaging canine adventure, where young readers learn number recognition through playful pups and their antics. Each page introduces a...

Cover of WATER MIRROR ECHO

WATER MIRROR ECHO

Genre

This immersive fantasy novel plunges readers into a world where water serves as a portal to other realms, blending elements of magical realism with a gripping coming-of-age quest. The protagonist dis...

Cover of WE THE PEOPLE

WE THE PEOPLE

Lepore’s lights, the Founders intended for the document to be changed in order to meet the needs of the day, trusting in the Enlightenment premise that “the human mind is driven by reason.” Article V, Lepore continues, is “a sleeping giant”: In it the Founders specified that change could come in one of two ways, the first being a congressional proposal, the second a convention of the states, with a “double supermajority” of votes for approval, two\u002Dthirds of Congress and three\u002Dquarters of the states. Although there have been flurries of amendments—including the first 10, yielding the Bill of Rights—it has been nearly 40 years since the last constitutional convention was held, even as, Lepore calculates, members of Congress proposed 2,100 amendments between 1980 and 2000. Part of the problem is congressional gridlock, a feature of government since the days of President Reagan\u003B another is what Lepore considers the false doctrine of originalism—which, she writes provocatively, “arose from the failure of conservatives to change the Constitution by democratic means.” Lepore presses her argument with numerous case studies, including the difficult passage of an amendment to allow direct election of senators (formerly appointed by governors), the argument over an income tax (and one that progressively taxed the rich more than the poor), the failed adoption of the Equal Rights Amendment, and a longtime favorite that has yet to come about: the abolition of the aristocratically inspired Electoral College."

This timely exploration of American civics and government offers young readers an accessible introduction to the foundations of democracy, from the Constitution's creation to modern civic engagement....

Cover of WELCOME TO THE FOREST

WELCOME TO THE FOREST

a hearty feast."

This vibrant nature guide invites young readers to explore the complex ecosystem of the forest, from the towering canopy down to the rich soil, introducing the diverse plants and animals that call it...

Cover of WES ANDERSON: ALL THE FILMS

WES ANDERSON: ALL THE FILMS

the theater of Sam Shepard. Like all books of this type, this one has stills and behind\u002Dthe\u002Dscenes photos, along with synopses, critical reactions, and technical details, such as the various lenses Anderson has used, from the “rare short focal length: 27 mm” he used for the 1996 feature\u002Dlength Bottle Rocket to the “wide\u002Dformat anamorphic lenses and a strong color palette” he has employed on every film since Rushmore (1998). Narbonne tries too hard to intellectualize Anderson’s cinema, as when he writes, “Symmetry is the ideal backdrop for the characters’ psychorigidity” or notes Anderson’s use of “visual pleonasm.” Fans probably won’t mind, however, and will enjoy stories such as that in the Rushmore scene where the protagonist releases bees into a hotel room, “Anderson insisted that real insects be released into the room and that no one wear face protection.”"

This comprehensive guide offers a deep dive into the distinctive cinematic universe of Wes Anderson, meticulously reviewing every feature film from *Bottle Rocket* to his most recent works. Readers a...

Cover of WHAT HAPPENED TO THE NAKED MOLE RAT?

WHAT HAPPENED TO THE NAKED MOLE RAT?

Genre

This clever picture book tackles the mysterious disappearance of a beloved classroom pet, weaving scientific facts about naked mole rats with an engaging mystery that will captivate elementary school...

Cover of WHAT IS FREE SPEECH?

WHAT IS FREE SPEECH?

Genre

This timely examination of free speech rights provides young readers with a clear framework for understanding one of America's most fundamental constitutional protections. The book breaks down comple...

Cover of WHEN EVERYONE KNOWS THAT EVERYONE KNOWS . . .

WHEN EVERYONE KNOWS THAT EVERYONE KNOWS . . .

way of shared media and then move together to punish transgressors. The swiftest way to be misunderstood, he notes, is to use irony or indirect speech, much as they help disguise our intentions. Pinker writes fluently, though there’s plenty of arcana from neuroscience, linguistics, and other fields floating around here. While it’s not necessary to have read Noam Chomsky, Antonio Damasio, Daniel Kahneman, and other cognitive scientists to follow Pinker’s arguments, it helps."

This sophisticated exploration of social dynamics and shared knowledge dives deep into the psychological phenomenon of common knowledge, where not only does everyone know something, but everyone know...

Cover of WHILE ISRAEL SLEPT

WHILE ISRAEL SLEPT

dismissing the idea that the Hamas\u002Dled incursion of Oct. 7, 2023, was akin to 9/11. Instead, they liken it to the Dec. 7, 1941, attack on Pearl Harbor as a sequence of misread indicators that something bad was about to happen. So lax was the monitoring of the Gaza border, they note, that Hamas “didn’t use even a single tunnel,” even as Israeli Defense Forces intelligence assumed that Hamas wouldn’t dare cross the border openly. Another missed sign was the removal of protective fabric from rocket\u002Dlaunch pits within Gaza, a prelude to a rocket attack, although Hamas said that it was a drill. “Israel possessed all the intelligence to piece together Hamas’s plans, but the IDF never connected it into a comprehensive picture to understand what was happening right before their eyes,” the authors charge. One proximate cause of the failure, they hold, was the IDF’s complacency about the “iron wall” that divided Gaza and Israel, “believed to be impenetrable,” but the larger issue was that different agencies weren’t talking to each other and sharing intelligence that might have been stitched into a coherent whole. An interesting point, if untestable, is that the division in Israeli society wrought by Prime Minister Benjamin Netanyahu’s effort to reduce the power of the nation’s judiciary revealed a weakness that lent itself to attack. Controversially, the authors insist that the IDF’s response to the attack took great pains to spare civilian lives and “refrain from preemptive action that could lead to a wider war.” They close with a set of policy recommendations, including taking care not to alienate the U.S., as happened during the Biden presidency, and enlisting Mossad, which operates internationally, to aid with internal intelligence."

This gripping historical account chronicles the tense days leading up to the Yom Kippur War, when Israel faced an unprecedented surprise attack from neighboring nations. The narrative masterfully bui...

Cover of Who is Santa Claus A Heartwarming Christmas Story for Kids Ages 4

Who is Santa Claus A Heartwarming Christmas Story for Kids Ages 4

Peter J

A Heartwarming Holiday Tradition of Kindness and Giving! Join the movement of magical, anonymous giving with Secret Santas And The Twelve Days of Christmas Giving - a Christmas classic that has inspired millions of intentional acts of kindness, spreading joy to those deserving or in need. This encha

Cover of WHO NUKED SILICON VALLEY?

WHO NUKED SILICON VALLEY?

Katie, will prove vital to unpacking what’s behind a violent movement to push a constitutional amendment for AI personhood—although there’s clear pushback, as well: “Don’t cede to those who can’t bleed. Vote ‘NO’ to Personhood!” reads some acid\u002Detched graffiti. Donoghue unfolds the narrative via the perspectives of these characters (along with a smattering of others), weaving a complex yet deeply intimate vision of a quickly emerging future in which capitalism and artificial intelligence conspire to rob both humans and bots of any remaining control over their own lives. The SF conceits merge with worldbuilding that’s revealed slowly but inexorably, resulting in what emerges as a memorable entry in the growing genre of AI thrillers. The clearly drawn characters, complex sociopolitical discourse, and, especially, Donoghue’s deep empathetic imagination for both humans and AIs makes the work feel like far more than the sum of its parts. Other novels have played in this high\u002Dtech sandbox, to be sure, but few have done so in a way that makes a reader think and care for both people and artificial entities in such strong and equal measure."

This explosive techno-thriller plunges readers into a high-stakes mystery where the world's tech capital is suddenly thrown into chaos by a catastrophic, unexplained event. The narrative follows a gr...

Cover of WILD FOR AUSTEN

WILD FOR AUSTEN

the insights offered here, but as was the case in her biography of Austen’s contemporaries and fellow authors Jane and Maria Porter (Sister Novelists), Looser aims her work at the general public with a breezy, conversational tone, even as she flourishes her credentials as an Austen expert. Part 1 retells the plots of each novel, including unfinished ones and unpublished juvenilia, spotlighting Austen’s use of “wild,” “wildly,” and “wildest” and carefully explaining different connotations. Elizabeth Bennet’s muddy appearance after a brisk walk is described by the censorious Mrs. Hurst as “almost wild” (i.e., savage), while its more common use is as a synonym for “eager”\u003B the young people in Persuasion are all “wild to see Lyme.” “Wildly” and “wildest” turn up most often in Sense and Sensibility to underscore Marianne’s dramatic nature. The focus on word use gets tedious, but in Part 2 Looser applies the notion of wildness more broadly to describe the adventures of Austen’s relatives—an aunt was tried for a capital felony, a cousin was married to a French count executed during the Reign of Terror—to make the point that, however quiet the writer’s life was, she had plenty of secondhand knowledge of the wider, wilder world. Part 3, “Shambolic Afterlives,” gets weird with chapters on Austen’s ghost, Austen erotica, and Austen films that were never made, but Janeites of an undemanding nature will enjoy it all."

This clever YA romance cleverly reimagines the world of Jane Austen for a modern audience, transplanting the wit and social machinations of Regency England to a chaotic wilderness survival reality sh...

Cover of WILDCATS

WILDCATS

their teacher Ms. Benitez, who informs them that they’re part of a group known as the Hunters of Chaos, the girls become embroiled in an apocalypse\u002Daverting conflict with villains who also have ties to Temple Academy. A straightforward adventure with solid pacing and strong, stylish characters exuding girl power with every step, this is an accessible and fun graphic novel for less\u002Dseasoned comics consumers. After all, it’s pretty tough to resist a crew of friendly\u002Dfaced big cats splashing around in ponds, exploring a centuries\u002Dold temple, and lunging at bad guys with pointy\u002Dclawed paws. Mina’s flirtations with a boy she likes, her clashes with members of a snooty clique, and her insecurities about belonging (though her parents are alumni, they struggled to scrape up the money for her tuition) add further dimension. "

This action-packed sports novel follows a high school basketball team's journey from underdogs to championship contenders, capturing the intensity of teenage athletics with authentic play-by-play act...

Cover of WILL EISNER

WILL EISNER

Irish toughs for being Jewish, Will Eisner found refuge in books. “There are ways to escape,” read the words above cartoonist Mazur’s sepia\u002Dtone illustration of a New York Public Library bookmobile. “Places where the new kid is always welcome.” A youthful dreamer, Eisner soaked up classic adventure stories set in far\u002Doff lands. “And then there’s the kind of literature they don’t have at the library,” writes comics historian Weiner. “You want this old pulp book? I’m done with it,” says a neighbor in the Bronx, handing the boy a copy of Black Mask magazine, a man on the cover menacingly pointing a gun. Young Will was dazzled by the action. In little time, he fell in love with drawing, taking after his father, Sam, a set painter who worked at, among other venues, the Yiddish Art Theatre in Manhattan. Thus began a fascination with cartooning that ultimately made Eisner a legend in the field—the comic industry’s annual Eisner Awards are named in his honor. Not that Eisner didn’t struggle to achieve success. Early on, his mother, Fannie, wasn’t thrilled that there would be two struggling artists under one roof. “Can you buy groceries with art?” she asks. Eventually, the answer, for Eisner, was yes. He got a job at the New York American newspaper, published his first professional work in 1936, opened a studio with Jerry Iger, and achieved great popularity with his masked detective hero the Spirit, whose dark style was inspired by German cinema. Comics aficionados also remember Eisner for Joe Dope, a character he created for the Army during World War II. The “bumbling private,” Weiner writes, taught soldiers proper procedure “by doing everything wrong.” There was little, it seems, that Eisner did wrong in his storied life, and fans of his—old and new—are all the richer for his captivating work."

This graphic biography offers young readers a vibrant introduction to the pioneering creator who transformed comic books into a respected art form. Through dynamic illustrations and accessible storyt...

Cover of WISH I WAS A BALLER

WISH I WAS A BALLER

sports journalist Shah, a ninth grader pursues his passion in the face of familial expectations pushing him toward a medical career, while also navigating the perils of high school social life." />

This energetic picture book captures the universal childhood dream of athletic stardom through rhythmic, basketball-inspired verse that will have young readers bouncing along. The narrative follows a...

Cover of WITHOUT FEAR

WITHOUT FEAR

William Lloyd Garrison in 1831, advocating equality for all. Aretha B. McKinley, at the time the only Black female lobbyist on Capitol Hill, organized an “avalanche” of letters in 1960 to prove to skeptical lawmakers that Blacks supported civil rights legislation. And Mary Church Terrell, the daughter of formerly enslaved parents, traveled to Zurich in 1919 for the International Congress of Women. Many of these women merit a book of their own."

This gripping thriller plunges readers into a high-stakes world of espionage and survival, following a resourceful protagonist who must outwit a shadowy organization. The narrative moves at a relentl...

Cover of WOUND MAN

WOUND MAN

multiple associations with contemporary writings, characters, and their associated visual culture.” After the creation and popularization of the printing press, Wound Man found further life in the print sphere and was often simply used as an aesthetic illustration “for mass appeal as a pan\u002DEuropean visual phenomenon.” Hartnell’s revelatory research and plethora of macabre illustrations make the book an unexpected treasure: It shines as both a morbid medical history and a curious record of the early years of information graphics."

This chilling medical history book explores the fascinating and gruesome world of medieval and Renaissance surgery through the lens of its most iconic teaching tool. Young adult readers with a taste ...

Cover of YVES SAINT LAURENT AND PHOTOGRAPHY

YVES SAINT LAURENT AND PHOTOGRAPHY

art historians, curatorial specialists, and museum staff testify to Saint Laurent’s intimate relationship with photography. “My greatest asset,” he once remarked, “has been the eye I have for the time I live in and for the art of my time.” As Christoph Wiesner, director of the Arles Photography Festival, observes, for Saint Laurent, “working with photographers was a means of exploring his own limits, of giving his clothes another life beyond the purely material one.” Saint Laurent had been assistant to Christian Dior at the time of Dior’s sudden death in 1957\u003B immediately, he was thrust into the public eye, with critics and fashion doyennes alike anticipating his creations. From his first show, in 1961, his evolution as a designer was documented by photographers who included some of the most famous names in the field: Irving Penn, Helmut Newton, Richard Avedon, William Klein, Lord Snowdon, Horst P. Horst, Inge Morath, Cecil Beaton, and Annie Liebovitz, all represented here. His models, too, were renowned: Audrey Hepburn, Twiggy Lawson, Jean Shrimpton, Paloma Picasso, Catherine Deneuve, among many others. He was much photographed himself, with portraits revealing a well\u002Dcurated “cool masculinity” as well as changes in dress, hair style, and affect—most notably in 1971, for the launch of his men’s fragrance, when he posed nude, his long hair tousled, wearing nothing but his signature black glasses."

This visually stunning exploration of Yves Saint Laurent's relationship with photography offers young fashion enthusiasts an intimate look at how the legendary designer collaborated with photographer...