Best Books for Teens

BURY OUR BONES IN THE MIDNIGHT SOIL

Genre

ACCOMPLICE TO THE VILLAIN

Genre

HATCHET

Gary Paulsen

PERCY JACKSON: THE CHALICE OF THE GODS

Rick Riordan

THE HATE U GIVE

Angie Thomas

WHERE THE CRAWDADS SING (YOUNG READERS EDITION)

Delia Owens

KATABASIS

Peter Murdoch, one of Grimes\u0027 other students—\u0022He was simply born brilliant…Alice couldn\u0027t stand him\u0022—and she reluctantly agrees to join forces. Despite the accounts of Dante and the like, Hell is full of surprises, including (sometimes) a remarkable resemblance to a college campus. As Alice and Peter journey deeper, they encounter nefarious deities\u003B twisted, once\u002Dhuman enemies\u003B and Shades from Grimes’ past with their own agendas. Hell will test Alice and Peter in ways their academic careers have not, dredging up their pasts at Cambridge, their messy relationships with their advisor, and their distrust of each other—after all, academia is a cutthroat game. The stakes are high, with mortal souls on the line, as Alice grapples with the question of whether academia even matters. Kuang melds a fantasy adventure (don’t look too closely at the magic—that’s not the point) with a rumination on academia’s problems to create a new take on the journey through the underworld. Alice is deeply flawed but also deeply understandable, stuck in a system that damages her while making questionable choices that feed into the same system\u003B this is a tightly constructed novel that aims a clear lens on academia, with both its faults and its virtues. The heady draw of discovery is ever\u002Dpresent, even if what Alice is discovering is Hell."

ACROSS SO MANY SEAS

Ruth Behar

THE CROSSOVER

Kwame Alexander

THE FIRST STATE OF BEING

Erin Entrada Kelly

THE LACK OF LIGHT

suicide 20 years earlier—a fact we learn in the first chapter but come to fully understand only 700 eagerly turned pages later. The narrator is Keto, who grows up in a delightfully quirky household with two battling grandmothers, a widowed physicist father, and a beloved older brother\u003B the story follows her friendships with brilliant Ira, daring Dina, and beautiful Nene, the darling daughter of a mobster family, from their schoolyard beginnings, through young loves, emerging talents, and life\u002Dchanging decisions, everything thrown into high relief by the unfolding disaster around them. Ferrante lovers will find many echoes of the Neapolitan novels here, the plot similarly featuring almost mythic levels of intensity in love and grief, centering the importance of women’s friendship. An unexpectedly moving translators’ note says that the novel, while not autobiographical, is probably Haratischwili’s \u0022most personal work to date,\u0022 a history strongly felt in myriad gorgeously written summary passages like this one: “We, the children of the nineties, who swapped our childhood and youth for Kalashnikovs and heroin—we, of all people, listened to Barry White and longed for nothing more than eternal love and the ecstatic fruits of that love, for fun and excitement. We, of all people, let the music play. And how! We played it right to the bitter end.”"

THE BEWITCHING

a haunting of her own." />

PLAY NICE

a demon. In So Thirsty (2024), Harrison wrote a book about vampires that was also a novel about best friends trying to figure out what to do with their lives. Here, Harrison mines the potential of the haunted house to excavate the abuse that Clio and her sisters suffered as children. Clio is a terrific protagonist. She’s sharp and funny and a little less self\u002Daware than she thinks she is. As she tries to reconcile her own memories with those of her family—including her mother, who left behind an annotated copy of the book she wrote about living in a demon\u002Dplagued split\u002Dlevel in the suburbs—and questions her own sense of reality, Clio unravels. But it’s a necessary unraveling, the kind of annihilation that makes real change possible. This novel delivers truly chilly scenes while also exploring the emotional depths that make horror meaningful. There’s a climactic scene at a family barbecue where Clio sees echoes of her mother in herself, Leda, and Daphne and thinks, “Her ghost is us.” There are many emotionally devastating moments in this novel, but this one captures the essence of them all. Harrison knows that we are, all of us, haunted."

A RESISTANCE OF WITCHES

Genre

THE RAVEN BOYS

Academy. While he can’t always escape the perception of being a condescending rich boy, Gansey, influenced by a near\u002Ddeath experience seven years earlier, throws himself fully into finding the sleeping king, Owain Glendower. Searching for ley lines that will lead them to Glendower, Gansey, Blue, and the others get swept up in a race to activate the lines before those with dark motives can seize the ancient magic for themselves. Though some of the illustrations don’t convey the full gravitas of some moments in the original, others adroitly capture the humor, dread, and camaraderie that made the novel so intriguing and endearing. Newcomers to the story may not catch the significance of certain developments, but other elements, like the town of Henrietta and Gansey’s journal, gain extra life and added dimensions thanks to Milledge’s expressive and nostalgic artwork, which is enhanced by Ko’s luminous colors. Blue has brown skin and dark curly hair, and the boys present as white. "

SHROUD

a disaster that strands humans among dangerous aliens, concerns a repressive government whose strong resistance to an equitable first contact is met by potentially stronger resistance from the alien contactee(s). As such, it is more than a little reminiscent of the author’s Hugo\u002Dnominated Alien Clay (2024), even if the government and the alien are quite different. While it reads like a meditation on the same theme, especially in the relevance of its socioeconomic and political milieu to contemporary circumstances, it is also well crafted and full of tense moments, building up to an emotional gut punch. "

ALCHEMISED

any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft\u002Dtrod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance."

The Robin on the Oak Throne

Genre

DEATH AT A HIGHLAND WEDDING

the boorish Austrian gamekeeper and his mantraps, which, to Mallory’s fury, have wounded a Scottish wildcat and killed its mother. During a walk, Mallory, Gray, and McCreadie find part of a butchered deer and then the body of Cranston’s friend Ezra Sinclair wearing Cranston’s coat. When the inexperienced and opinionated local constable arrests Cranston, the investigative trio intervene. Was Sinclair or Cranston the target for murder? And is the killer a disgruntled local or one of their own friends?"

THE FROZEN PEOPLE

an expert in period dress, Ali’s ready to leave. Since so much about time travel remains unknown, it’s a dangerous trip. The team has learned, for example, that travelers must stand in the exact same place they landed in order to return. Proceeding to 44 Hawk Street, a boardinghouse owned by Cain Templeton, most of whose residents were artists, Ali is greeted by the sight of Cain standing over the body of a dead woman. Although people think Ali is odd, she manages to stay in the house and investigate. But her portal is accidentally used by someone else, rendering it inoperative for her and leaving Finn and her team desperate to find a way to retrieve her. The man who used her portal may be a murderer now living in Ali’s present. When Isaac Templeton is found shot to death by an old\u002Dfashioned gun and Finn is arrested for his murder, one of Ali’s colleagues takes her place so she can return to the present and help clear her son."

THREE SHATTERED SOULS

a common goal of ending the treacherous rule of King Joon of Yusan, regroup after a bloody battle claims the life of one of their own—the banished Yusanian prince, Euyn. However, there’s little time for Mikail, Aeri, Sora, and Royo to mourn. Bounty hunters and assassins are after them, in part because they now possess three of five legendary Relics of the Dragon Lord. Mikail, who’s just found out that he’s the last surviving member of a royal family, wields the Water Scepter of Wei, while Aeri, King Joon’s daughter, holds the Sands of Tim and the Golden Ring of Khitan. The remaining relics—the Flaming Sword of Gaya and the Immortal Crown—remain with King Joon, who’s desperate to have all five to wield a great deal more power. Meanwhile, the cruel Count Seok, who once indentured Sora, has usurped the throne of Yusan. The group has two goals: overthrow the king and liberate the Yusanian colony of Gaya—Mikail’s homeland—so that it can again be a thriving, independent realm. The relics are powerful tools in combat, but using them is adversely affecting Aeri and Mikail’s health. They need allies, but trusting strangers is a dangerous gamble. Corland’s final book in her Broken Blades trilogy is a relentlessly thrilling and action\u002Dpacked dark fantasy featuring memorable characters, intense battle scenes, romance, and a satisfying conclusion. Alternately narrated by Aeri, Mikail, Sora, Royo, and their long\u002Dlost friend, Tiyung, readers benefit from watching the story unfold through the perspectives of each compelling, well\u002Ddrawn character. The author’s passion for the fantasy genre shines through in the novel’s richly detailed worldbuilding, including vivid descriptions of landscapes and palace layouts, as well as its exploration of magic. Readers will also delight in the sardonic humor sprinkled throughout, as when Mikahil narrates, “Rune thinks he fathered Seok’s son. Truly, the nobility of Yusan has too much time on their hands.”"

AWAKE

white supremacy, racism, sexism, greed, and ugly secrets. “Imagine my surprise when I began discussing white supremacy, and tons of my Christian followers lost their shit,” she writes brightly. (There’s not a lot of blue language here, but when it comes, it’s just right.) The author goes on to write of middle\u002Dage dating, “purity culture,” body shaming, and a careful kind of forgiveness while proclaiming a hard\u002Dwon feminism: “Women are the eighth wonders of the world. May we love this little life with exposed beating hearts, tender regardless, despite it all.”"

50 Science things to make and do An Interactive Guide to Exciting

Kate Knighton

★ 4.3 (3,152)

THE OTHER GIRL

giving you, in turn, the existence your death gave me”—or to exorcise a spirit."

THE ACADEMY

Cunningham as co\u002Dauthor. As their delicious new book opens, it’s Move\u002DIn Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second\u002Dstringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding\u002Dschool rankings that a high\u002Dprofile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high\u002Dstyle secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits."

GOOD AND EVIL AND OTHER STORIES

an eerie threat (a ghostly cat, a telepathic neighbor, a violent guest), we realize we have been party to a central human truth. Some revelations come in the form of body horror, and the gore can be hilariously goofy—a welcome lightness to the more somber scenes of tender caretaking (or unapologetic cruelty). Schweblin and veteran translator McDowell trace the slim barrier between perception and reality with masterful narration, piercing dialogue, stealthy wit, and psychological precision."

THE BOOK OF GUILT

German conspirators in 1943\u003B since then, British scientists have had access to studies “of immense scientific value” made in “the camps,” as they are called with pointed vagueness. In 1979, this history is taught to 13\u002Dyear\u002Dold triplet brothers—mercurial William, softhearted Lawrence, and thoughtful, watchful Vincent, who narrates most of the book. They live in a group home for boys, part of the Sycamore Homes program established by the government in 1944 to raise parentless children. Doted on by a threesome of Morning, Afternoon, and Night mothers, taught from the encyclopedic Book of Knowledge (an actual publication) and in weekly ethics discussions, the Sycamore boys have had happy if isolated childhoods marred only by incessant sickliness. Those who recuperate from “the Bug” get to move to “the Big House in Margate,” which, according to the brochure, is a wonderful place next to an amusement park. Only the triplets still remain when a new Conservative government decides to discontinue the Sycamore program to cut costs. Soon the Prime Minister puts the well\u002Dmeaning but clueless Minister of Loneliness in charge of rehoming the triplets. But where? That these children have been part of a creepy scientific experiment is obvious early on, but one shocking, horrifying surprise follows another in what is, at its most basic, a cat\u002Dand\u002Dmouse thriller. Meanwhile, Chidgey forces readers to delve into moral questions concerning science (and by extension, technology), pragmatism, personal responsibility, and institutional evil. Then there’s the novel’s unavoidable, disquieting contemplation of just who is given equal right in any given society (including ours). Chidgey, a New Zealander, borrows elements from Philip Roth’s The Plot Against America and Kazuo Ishiguro’s Never Let Me Go, but the character Vincent most resembles is Pinocchio. Broad themes and issues become deeply personal as his coming\u002Dof\u002Dage becomes a monumental struggle toward self\u002Ddiscovery."

107 DAYS

the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear\u002Deyed view of the damage already done: “Perhaps so much damage that we will have to re\u002Dcreate our government…something leaner, swifter, and much more efficient.”"

ALL THE WAY TO THE RIVER

then had become a distant second fiddle to the relationship with Rayya), and the two became lovers. There was a good part, and then a very bad part in the months leading up to Rayya’s death in 2018. The book also follows the story of Gilbert’s subsequent recovery from sex and love addiction through devoted adherence to a 12\u002Dstep program. Since she does not “have the heart to write out the excruciating details of the binge that I went on” after Rayya died, citing concern for the privacy of others, she focuses instead on the spiritual and emotional progress she has finally been able to achieve, documented in earnest poems and winsome doodles as well as well\u002Dwritten anecdotes. “Readers of my earlier work may remember that I reached nearly this same level of peace and tranquility back when I was in India, in the middle of my Eat Pray Love travels, after months of disciplined prayer, meditation, and retreat.” The difference this time, she says, is that she has the support she needs not to “drive my life off a cliff all over again.”"

MURDERLAND

the Guggenheim family), tragic incidents on a precarious floating bridge connecting Seattle and Mercer Island, and Fraser’s own recollections of growing up in a time and place when young women were inordinately targeted and killed. She depicts a lot of death\u003B Fraser is determined to make the reader see the worst of the killers’ actions, in vivid but unsensationalistic detail, to underscore the ever\u002Descalating crises that mining and smelting businesses tried to underplay, pay off, or ignore. By the ’90s, as bans on leaded gasoline took effect, smelters closed, and the EPA set stricter pollution standards, the number of serial killers dissipated. Fraser’s book is an engrossing and disturbing portrait of decades of carnage that required decades to confront."

AUTOMATIC NOODLE

the restaurant owners, who skipped town to avoid fraud charges. Needing to pay off their contracts and seeking a purpose, they decide to reopen as a noodle shop, even though their limited civil rights mean what they’re doing isn’t entirely legal. Why is it so important to make tasty food when robots can’t eat? To what degree should they pander to human comfort to make this place a success, and more seriously, prevent the authorities from noticing that robots are running a restaurant without human supervision? As they confront these weighty issues as well as the logistics of developing their enterprise, an online review\u002Dtrolling campaign from “robophobes” threatens to downgrade them out of business. On the surface, this novella could be viewed as the SF equivalent of Travis Baldree’s cozy fantasy Legends \u0026amp\u003B Lattes (2022), about an orc’s quest to establish a coffee shop. But this richly flavored bowl of noodles offers additional toppings, such as edgy social commentary about climate change, PTSD, and the ways in which social media and apps like Yelp and DoorDash gatekeep restaurant publicity, ratings, and sales, creating a distorted depiction of a business with little resemblance to its physical reality. The robots also serve as a metaphor for transgender people specifically and minorities in a general sense, as the story explores the uneasy balance between attempting to assimilate to get along and trying to feel at ease in one’s own body and personhood."

AMONG THE BURNING FLOWERS

Genre

SCORCHED EARTH

Genre

THE ELEMENTS

inflicting her pain on new victims. And her former resident–turned–child psychologist, Aaron Umber, seeks to heal his own damaged psyche by embarking on a life\u002Dchanging journey back to Ireland with his teenage son. Originally published in the U.K. as separate novellas (Water, Earth, Fire, Air), these four interconnected stories pack a wallop when combined in one volume. If the format at times feels too tidy and contrived (especially in the final section), it doesn’t lessen the emotional impact of deeply wounded characters struggling to overcome their guilt and find redemption in the wake of catastrophic trauma. "

THE SHATTERING PEACE

Genre

THE NIGHTSHADE GOD

the god in his head, Lore doesn’t know what’s happening with the magic she was born with or the magic she’s gained, her friends are grappling with their own gods and scattered throughout the land. With ash thickening the air, Lore must fight just to survive, but she will never be satisfied with mere survival when she might still be able to save the world. So, with her friends and some allies (who may or may not be trustworthy) she begins to work toward a solution that could fix everything. But striving for salvation means anything might have to be sacrificed: Bastian or his disenchanted former Priest Exalted Gabe, her magic, or even her sense of self. As the Nightshade Crown trilogy draws to a close, its scope expands beyond Lore but ultimately remains focused on her journey. The increased presence of secondary characters, particularly Bastian’s half sister Alienor, makes this finale truly feel like an extension of the previous installments rather than simply a rehashed version of similar plot points. As the world expands, so too does the representation, with characters of different sexualities and gender identities incorporated with little fanfare, as their presence does not require remark. Lore’s moral journey is particularly compelling\u003B alongside her self\u002Dsacrifice, she makes bad choices and, often enough, suffers the consequences. Infusing the wonder of myths and magic with the desperation of a fight for survival and earth\u002Dshattering doom, this conclusion lives up to the trilogy as a whole."

ROYAL GAMBIT

turning into trees and stegosauruses and unusual modes of death involving energetically implanted brain cubes. The occasional borrowed tiara on her head, Alix moves through an environment where nothing is ever quite what it seems. The closer she comes to finding Edmund’s killer, the more Alix uncovers about the secrets surrounding her position within both the Checquy Group and the royal family."

HOUSE OF THE BEAST

her outcast single mother in the countryside, doesn’t know of her station, and has a lonely and isolating childhood, often conjuring an imaginary friend for comfort. When her mother falls terminally ill, Alma manages to send word to her unknown father begging for help, and is met with a powerful vessel of the Dread Beast—the god of death. In exchange for her mother’s healing, Alma agrees to serve House Avera in support of her father’s ascension to First Hand of the Beast, and the girl is whisked away by her father while her mother lies dying. Unaware of nearly everything about the gods and the families bound to them, she discovers the first step in service to the House and its deity is severing her arm in sacrifice to the Beast. Despite her actions, her mother dies, but Alma is forced to continue serving her father’s ambitions anyway. As her grief rages and her father’s betrayal is palpable everywhere in the Avera estate, the flames of revenge are fanned by her once\u002Dimaginary friend, Aster, who reveals himself to be so much more—a spirit that’s taken on human form. With Aster as proof of her strong connection to the Dread Beast, together they devise a plan to prove her worthiness as a vessel of the Beast and challenge her father’s rank. All that’s required is that she train for a Pilgrimage to the umbral plane—a twisted alternate dimension filled with monsters and terror—to kill a star and rise in rank to become the First Hand of the Beast herself. From the opening pages, with Alma’s arm strapped to a fountain and her father standing overhead with a sword ready to give her limb as an offering, the prose strikes hardest when Wong writes visceral body horror. This page\u002Dturning epic continually exposes the monster within each character, pushing them to confront it head\u002Don and fight relentlessly for the good they possess deep within."

ALL THAT DIES IN APRIL

the village healer, Octavia, makes up her mind to follow the mountain streams in the direction they flow, hoping to come to the sea. Relicario is stunned by Lina’s absence and soon decides to follow her. Accompanied by a wise donkey named Jumento and the bones of his mother and father—all of his family he could fit in the cart—Relicario begins a long, arduous journey, guessing Lina’s course at every turn, while his wife forges on before him, entering into worlds and ways of living that Relicario cannot begin to imagine. Meanwhile, a series of coincidences conspires to create a reunion no one in the Ramos\u002DCruz clan could have anticipated, all as the destructive torrents of April begin their seasonal scouring of the land. Spare and yet echoing with voices, Travacio’s English\u002Dlanguage debut captures the haunting cycles of death and displacement but also of life, joy, and the succor of community in a place where “families come together and break apart…as easily as storm clouds in the sky.”"

A FLOWER TRAVELED IN MY BLOOD

Jorge Rafael Videla in 1976 forever reset the country’s history. Under Videla’s direction, a violent military junta kidnapped, tortured, and murdered thousands of Argentines (by some estimates as many as 30,000 who were deemed “subversives”). Centering the saga of the Roisinblits and their matriarch Rosa, journalist Gilliland, in her first book, approaches this brutal period through the eyes of the Abuelas de Plaza de Mayo, a scrappy, courageous group of mothers of desaparecidos who had infants or were pregnant when they were disappeared. Over decades of instability that followed the junta’s rule, the Abuelas were at the forefront of calls for accountability and justice, anchoring their grief in the search for grandchildren who had been born in detention centers and adopted—appropriated—by new families, often with connections to Videla’s government. The author conveys the complicated, heart\u002Dwrenching fullness of her characters’ individual stories and shades their backdrop with compulsively readable history of geopolitical tension and the emerging DNA science that fueled the Abuelas’ fight. Gilliland’s work, exhaustively and compassionately researched, offers a crucial counterbalance to the dark legacy of Argentina’s desaparecidos, injecting the light of a model resistance movement that lay the groundwork for future international human rights investigations. Her humility and respect for the fraught journeys her subjects made toward each other and for the vital questions their journeys raised—about power, identity, family, and collective memory and healing—ensure the text will resonate for generations the world over."

LIFE, AND DEATH, AND GIANTS

Genre

TO CLUTCH A RAZOR

Genre

COFFIN MOON

Name (2024), Rosson returns with an even grungier throwback, dressed up as a vampire\u002Dinfested road novel. In December 1975, just outside Portland, Oregon, roughneck bartender Duane Minor knows he’s on thin ice. His wife, Heidi, a college student who dreams of becoming a writer, is none too pleased with his PTSD and burgeoning drinking problem. Duane is managing to just hold down his in\u002Dlaws’ bar, the Last Call Tavern, but he knows something funny is going on with the business. Meanwhile, Heidi and Duane are both trying to connect with Heidi’s 13\u002Dyear\u002Dold niece, Julia, who was reluctantly sent to them after her mother murdered her stepfather. It’s a rough scene made worse when Duane has a bad run\u002Din at the bar one night with a bunch of bikers led by one John Varley. After the century\u002Dold Varley viciously dismembers both Heidi and her parents, Duane and Julia hit the road seeking vengeance. For horror fans, this is closer to crime fiction than loftier vampire fare—think Richard Lange’s terrific outlier Rovers (2021) or From Dusk Till Dawn in lieu of tortured immortals in velvet capes. Julia’s character takes a dramatic turn after they encounter a sanctuary dubbed the Children’s Museum, led by an ancient, lonely creature called Adeline. Even as he and Julia navigate this bizarre subculture, Duane’s defining characteristic remains the conflict between his inner demons and his outer ones. “You want that man to come forward, that killer I was, but I’ll drown if I do it. I’ll die,” he swears. Meanwhile, John Varley and his psychotic “thrall” leave a bloody trail across the country, chased by one broken man and a little girl with nothing but half a dozen silver bullets to their names."

THE MAN NO ONE BELIEVED

Genre

MARSEILLE 1940

France’s collapse, most Americans opposed helping refugees. Running for reelection in November, Franklin D. Roosevelt knew that supporting immigration was a sure loser at the polls. Some readers will recognize Wittstock’s hero, Varian Fry, a young New York journalist: He is at the heart of Julie Orringer’s 2019 novel The Flight Portfolio, which inspired the Netflix series Transatlantic. Together with a few activists, Fry raised money and founded the Emergency Rescue Committee. Carrying a list of names, including 200 German\u002Dlanguage authors provided by Thomas Mann, he traveled to Marseille in August 1940, assigned to spend a few weeks organizing an office to aid refugees. He remained for more than a year. On arriving, Fry realized that thousands needed help to survive as well as navigate absurd procedures for obtaining paperwork to live, travel, and leave France. Fiercely idealistic, he did what had to be done, much of which was illegal and expensive\u003B this offended the ERC, which demanded his return, and the State Department, which refused to renew his passport and denounced him to the Vichy government. Fry finally returned in the fall of 1941\u003B declared persona non grata, he received little thanks. Wittstock detours regularly for accounts of refugees. Readers may recognize names like Max Ernst, Hannah Arendt, Marc Chagall, and Heinrich Mann, but most will be as unfamiliar as they were to Fry, who rescued more than 1,000 people, a lifesaving feat because, of course, death in concentration camps awaited many who were left behind."

MANNAZ

the end, there are definite changes at the highest levels and richly deserved rewards for those who brought them about."

LADIES IN HATING

thoughts of each other." />

THE MAGICIAN OF TIGER CASTLE

Genre

THE AUSTEN AFFAIR

Genre

MIDNIGHT ON THE POTOMAC

superior resources and persistence, not battlefield victories, so he was not discouraged after a year of bloody stalemate, although Union morale plummeted. Departing from tradition, Ellsworth gives John Wilkes Booth more attention than Abraham Lincoln and Grant. America’s most admired matinee idol, Booth hated Black people and fervently supported the Confederacy. Ellsworth turns up evidence that he secretly met with Confederate agents. No one knows what they discussed, but the idea that Wilkes was carrying out a devilish Confederate plot has never lacked supporters. Despite remaining skeptical, Ellsworth devotes much of his book to the South’s energetic secret service, whose members engaged in espionage, propaganda, and terrorism throughout the Union and Canada. His breathless account takes the service more seriously than most scholars but can’t conceal its mostly ineffectual schemes, among which were plans to kidnap the president. Booth approved and volunteered his services, but by 1865 efforts had fizzled\u003B the Confederacy was on its last legs, but the plot to kill Lincoln, the vice president, and the secretary of state proceeded under Booth’s leadership. Ellsworth tells the familiar story, followed by the victory that the Union greeted ecstatically despite the shadow cast by Lincoln’s assassination. He extols Black freedom yet admits that persistent racism left a shameful pall over American exceptionalism, which lifted somewhat over the following century but is, of course, still with us."

HEKATE

Genre

THE DEVIL REACHED TOWARD THE SKY

Genre

WE MET LIKE THIS

Genre

THE POTENCY OF UNGOVERNABLE IMPULSES

this third installment, as charming and even action\u002Dpacked as it is, the construction of this science fantasy might be pushing the boundaries of implausibility too far. Older has degrees and experience in economics, politics, and disaster response\u003B she clearly knows that a society with limited resources would be unlikely to produce the luxurious food and drinks she describes, and understanding people as she does, it seems equally unlikely that a society that also produces murderers wouldn’t have at least one prison and a stricter judicial system than is presented here. There’s a point being made, but it’s not entirely clear what it is."

THIEF OF NIGHT

a Blight, and he doesn’t want the Cabals to face the blowback if the truth becomes public. Mr. Punch could do terrible things to Charlie if she fails, but if she succeeds, he’ll help Charlie and Red be free of the Cabals for good. The sophomore novel in a series is always tough, but this sequel proves that the second book can be even better than the first. Black turns the screws on the magical world she set up in Book 1, creating complicated political motives between Charlie and the Cabal leaders and making the question of what it means for a shadow, like Red, to have their own consciousness more interesting. Veteran con artist Charlie makes some truly brilliant moves, especially toward the end, where the last few chapters have one terrific surprise after the other."

A LAND SO WIDE

a queen who was \u0022intrigued by the idea of a new world, a new continent to see, to explore, to feast upon. She had an insatiable hunger for more.\u0022 Unfortunately, Greer’s story and the background information on Mistaken take so long to tell that once the violence and battles for the souls of humans versus demons begin, it’s difficult to remember that at one point the novel centered on the cruel inequality women in early colonial societies faced. Instead, the action turns to teeth, talons, and turncoats, with an intriguing but strangely unsatisfying strand about how evil came to the shores of a land so bounteous and yet unexplored."

RIPENESS

her farmer father and her “glamorous” French Jewish mother, whose own parents and sister were sent to Belsen during the war. Edith’s status as an outsider in Ireland means she has “learnt, as immigrants do…by keeping quiet, standing back, observing.” This sense of life on the periphery also connects her in memory to her past when, on the brink of attending Oxford, a 17\u002Dyear\u002Dold Edith is sent to stay at a villa near Lake Como with her older sister, a ballerina. Elegant and cosmopolitan like their mother, Lydia is everything cerebral Edith feels she isn’t. Lydia is also eight months pregnant and opaque about the baby’s paternity, determined to give the baby up for adoption and return to her demanding life as a dancer. Moss switches back and forth between Edith’s present, told in close third person, and the past, told in first person and addressed to the baby that Edith and her sister await. Through these parallel narratives, and with her characteristically sinuous style, Moss is able to explore the idea of belonging: What does it mean to belong to a place? To a lineage? A family? A home?"

WE LOVE YOU, BUNNY

Genre

ALL THIS COULD BE YOURS

interrogating the “have it all” myth, but twists its way into a thriller by the end."

2024

default.” In a chapter titled “Sleepwalking,” they write, “Joe Biden decided to run for reelection by not deciding. He told aides: I’m running until I tell you I’m not. And he never told them he wasn’t.” Staffers didn’t want to look disloyal by suggesting he reconsider, “so no one ever said anything.” Later, one\u002Dtime Obama staffers, worried about Biden’s chances, “looked for a diplomatic way to offer free assistance” on “specific projects.” Biden’s team promised to be in touch, but the collaboration never happened. After Biden’s disastrous debate performance, Ron Klain, his former chief of staff, vented about Biden’s apparent lack of urgency: “I have no fucking clue why he’s going to Camp David this weekend” instead of “working the phones” to reassure nervous Democrats. The reporters’ sources close to Vice President Kamala Harris, who became the nominee after Biden left the race, describe similar frustrations with her campaign’s sluggish decision\u002Dmaking and failure to challenge allegations made by Donald Trump. The authors find little new to write about Trump, retelling how criminal indictments and assassination attempts worked to his advantage and describing his staunchest supporters’ belief that God is looking out for him. But this is an excusable shortcoming in a substantive effort that’s ideal for readers reluctant to read multiple books on the subject."

NOBODY KNOWS YOU'RE HERE

one of the callous “goons” who occasionally drop off kidnap victims or, scarier still, take them away (“Maybe They would kill us all”). Beatrice, with no access to a cellphone or the internet, is ostensibly in the middle of nowhere. That, however, doesn’t stop her from contemplating escape, or attempting it when she has the chance. Greenwood’s novel is steeped in mysteries beyond Beatrice not knowing where she is\u003B for example, she can’t be sure her indifferent father, or anyone else, is even looking for her. Aiden and Isabel are likewise unpredictable—they also seem to be victims of whatever organization is behind the kidnappings, but how much of what they tell Beatrice is the truth? Beatrice, who narrates, makes for a laudable hero\u003B she’s bright, empathetic, patient when it counts the most, and a mental powerhouse. Some of what she endures is vicious, though the author implies much of the violence and consistently lets suspense drive the narrative. All of this begets a sublime final act that focuses on the enigmatic characters and their complicated relationships. "

BUFF SOUL

cops, Moa’s debauchery starts to look less like youthful exploration and more like a serious problem. When Åsa disappears from her band duties, Moa recalls a time when she was part of a search party for a woman named Sofia who was found dead. When she finds Åsa and they go home, there’s no glamour left in the tour for Moa. She tries to address Åsa’s out\u002Dof\u002Dcontrol behavior, but Åsa turns it back around on her friend. For Moa, it was less about the drugs and more about indulging in the chaos and inoculating herself from the consequences. Åsa and Moa reaffirm their commitment to their friendship and vow to regain stability. Though the characters skirt up to the edge of the addiction\u002Drelated horror, they manage to help each other through sticky situations and get home mostly unscathed."

POEMS & PRAYERS

an 18\u002Dyear\u002Dold (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all\u002Dwe\u002Dcan\u002Deat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental\u003B only when he writes of life\u002Dchanging events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job."

Trials of Apollo, The 5 Book Paperback Boxed Set by Rick Riordan

Rick Riordan

★ 3.6 (1,460)

WHAT FURY BRINGS

currying favor with the wealthy nobles, Olerra decides on a different tactic, the time\u002Dhonored Amarran tradition of kidnapping a husband. Her target is a good\u002Dlooking younger prince from the neighboring country of Brutus, but she accidentally and unknowingly nabs Sanos, the king’s eldest son and heir to the throne. She drags Sanos back to Amarra, where he’s treated with all the contempt for men that is normal in her society: He’s dressed as a sexual plaything, forced to shave his beard and body hair, leashed and restrained for bad behavior. Olerra can’t understand Sanos’ objections to this treatment, and the ensuing power struggle makes up most of the plot. Marketed as romantasy, Levenseller’s first adult novel falls flat as both romance and fantasy. There is little connection or chemistry between Olerra and Sanos, and since both are more caricature than character, neither experiences the kind of growth that creates challenging or interesting romantic relationships. In addition, the worldbuilding is paper thin. Amarra is a world built on reverse misogyny, but the motifs, imagery, and scenes often read more like a brainstormed list (a penis guillotine!) than a fully realized attempt to say something meaningful about women’s rage."

The Hunger Games (Book 1)

Suzanne Collins

THE HEALING HIPPO OF HINODE PARK

Genre

THE ONCE AND FUTURE ME

Genre

IN MOURNING

the author’s depictions of her mother holding, praising, and arguing with her\u003B working as an ER nurse\u003B or volunteering at the dog shelter. Throughout, the memoir avoids sentimentality as it depicts destabilizing loss (“The only times that came to mind were when we fought. Something we did a ton of”) and tells a story that lingers long after the final page."

LION HEARTS

Genre

THE VANISHING PLACE

Genre

REPLACEABLE YOU

shooting himself in the afflicted foot) for an amputation and refitting with a prosthetic that allowed him to walk more easily. Roach wanders through the hallways of eldritch laboratories where pigs are grown to provide organs that are transplantable to humans, and she visits cadaver labs to look at another source of carefully inventoried parts (“As much time is spent on documentation and shipping of a donor’s tissues as on their removal. You’re expecting The Jeffrey Dahmer Story but it’s closer to UPS”). She interviews researchers on cures for type 1 diabetes and advances in “in vitro gametogenesis” and generally has a grand time looking into areas where few writers—especially squeamish ones—have ventured."

THE LIBRARY AT HELLEBORE

feeding his own body to the school’s ravenous hosts in order to protect his friends\u003B Delilah is an “immortal sacrifice,” dying over and over again in the service of the gods\u003B while Rowan is a “deathworker” whose destiny is foretold by prophecy. There are some intriguing elements—and it’s often hard to take. Like other postmodern antiheroines, among them Chuck Wendig’s Miriam Black (Blackbirds, 2015, etc.) and Julie Crews from The Dead Take the A Train, Alessa’s primary operating mode is pretty much caustic bitch, and her classmates don’t temper it much. Whether the deadpan violence and body horror is excessive is a matter of personal taste, but there’s no denying that the whole thing is pretty squelchy and it’s not always easy to follow. Proceed with caution."

THE MYSTERIOUS CASE OF THE MISSING CRIME WRITER

disappearing herself." />

THE BEAST IN THE CLOUDS

two sons of Theodore Roosevelt." />

THE MISSION

the Senate Intelligence Committee of the Torture Report, which described in horrible detail the interrogation methods used in the battle against al\u002DQaida. The book also describes the shocking effectiveness of Russian and Chinese cyberattacks. Weiner pegs the difference between the two foes: “China wanted to know their enemies. The Russians simply want to screw them.” Still, the CIA directed the multilateral decade\u002Dlong intelligence operations that enabled NATO and Ukraine to prepare for and react quickly to the Russian invasion in 2023. The CIA is the most studied and misunderstood of any U.S. government agency. Weiner’s book is a balanced and nuanced account that should change that."

SUGAR SHACK

Genre

THE BOOK OF SHEEN

his umbilical cord, and goes on to a childhood in and around Los Angeles, where he made home videos with other showbiz kids. Along with his mother and three siblings, he frequently traveled to locations where his father, Martin Sheen, was filming, notably the set of Apocalypse Now. In an account laden with expletives and endearingly weird spelling choices (“dood,” “kool”), some of the actor’s most riveting chapters evoke his own stints on film sets, particularly his brutal experiences during the filming of Oliver Stone’s Platoon, in which the author starred. Though he went on to play parts in many more movies and in TV shows like Two and a Half Men, he turned his attention primarily to booze, drugs, gambling on sports, and encounters with sex workers. Don’t look for the usual redemption narrative here. Though Sheen does spend the last few pages of the book on what he says have been eight recent years of sobriety, undertaken for the sake of his children and grandchildren, he devotes most of the book to an exhaustive and sometimes exhausting survey of life on the edge. Despite many hours at meetings, he doesn’t have the respect for Alcoholics Anonymous—that “medieval gibberish club”—that he has for the many escorts he employed, whose charges he views as “a convenience\u002Dtax for a guaranteed outcome the other dating scenarios couldn’t offer.” Sheen’s three marriages zip in and out of the narrative with dizzying speed, leaving the reader no wiser about the women involved."

CONFRONTING EVIL

Judeo\u002DChristian standards, Genghis was the devil incarnate, but the Mongols apparently liked him just fine. O’Reilly holds that Mao Zedong was history’s worst mass murderer, “although his evil role model, Genghis Khan, might have surpassed him.” Naturally, while ticking down a rogue’s gallery that includes a few Judeo\u002DChristian figures, O’Reilly tries to own liberals: The Obama administration “does little to halt the Crimea aggression,” encouraging Vladimir Putin to invade Ukraine, while Ayatollah Khomeini makes Jimmy Carter his plaything, and so on."

The Threads Remain

German soldiers, which upends their lives. Postwar Germany in 1957 finds 16\u002Dyear\u002Dold Friedrich Becker grieving the recent loss of his adoptive mother, Minna. Spurred by her death to investigate the identity of his biological parents, Friedrich meets Sigrid, an orphan who works at an orphanage and joins him in his search. He remembers nothing of the time before his own adoption, but he has a crocheted bear named Bärli, which he had with him at age 4. Over the course of this layered narrative, Shapiro demonstrates an exceptional talent for storytelling as he highlights war’s capacity to separate people, but also to draw them together in common cause. Indeed, the story effectively shows how conflict can bind people together across generations and, as it happens, across time itself. As the various timelines intertwine, the author’s fine attention to detail results in a satisfying reading experience. Overall, the work ably reminds readers that although “there is no hope of creating a better past,” the future is still full of possibility."

THE CIA BOOK CLUB

the CIA, which, brought to Warsaw and other Polish cities by travelers to the West during the brief thaw following Stalin’s death, were circulated via a “system of covert lending.” As English writes, the CIA agents providing funds and books were discerning: They sent fashion magazines and books by the likes of John le Carré and Philip Roth but also by East European and Russian writers such as Boris Pasternak, Joseph Brodsky, and Czeslaw Milosz. Eventually the book smugglers became more daring, publishing samizdat editions through a carefully coordinated series of safe rooms scattered across the country. English celebrates homegrown heroes such as Miroslaw Chojecki, trained as a physicist, who had been arrested 43 times by March 1980 but kept it up all the same. Romanian\u002Dborn George Minden, also honored, concocted a series of ploys to get books and money inside the Iron Curtain, including, daringly, simply mailing banned literature to recipients chosen at random from the phone book. The program was highly effective\u003B as English notes, “By 1962 at least 500 organizations were sending books on the CIA’s behalf.” By the program’s end, thousands of books had been circulated, to the gratitude of their readers, one of whom exalted, “We read poetry and literature. It showed us that there are likeminded people who are above nationality, who we can empathize with, who admire beauty, who admire virtue.”"

BIRTH OF A DYNASTY

a tyrannical dynasty and largely follows two characters as they struggle to survive in a viper pit of political intrigue while also trying to find a way to attain vengeance for atrocities done to their families." />

VICTORY '45

the spring of 1945 huddled in his Berlin bunker directing imaginary armies and planning his suicide. A few aides stuck by, but most were planning to save themselves. The most successful was SS General Karl Wolff, in Italy, who managed to impress OSS chief Allen Dulles\u003B fend off rival (and perhaps nastier) competitors, Heinrich Himmler and Ernst Kaltenbrunner\u003B persuade leading Wermacht generals to surrender with absolutely no conditions\u003B and protect himself against prosecution for his crimes. Wolff took enormous risks (visiting a deeply suspicious Hitler during his final weeks) but succeeded eventually in testifying for the prosecution at Nuremburg. British Field Marshal Bernard Montgomery handled the surrender of German forces in north Germany on his own with a nod to his superior, Supreme Allied Commander Dwight D. Eisenhower, who preoccupied himself with the iconic May 7, 1945, official German government surrender. The authors precede that with accounts reminding readers of Nazi awfulness: a teenage Jewish boy’s years in concentration camps, a young American soldier’s experience encountering his first camp, and the chaos that engulfed Germany during and after the war. On the Pacific front, Japanese leaders, aware by 1943 that they were losing, worked to convince America that every Japanese man, woman, and child would fight to the death before surrendering. They assumed that the U.S., faced with this threat and lacking Japanese fortitude, would negotiate a compromise peace. By cruel irony, American leaders were indeed convinced of Japan’s resolve, but they did not negotiate\u003B they proceeded by unleashing an almost genocidal firebombing and two atomic bombs that, aided by the massive Soviet invasion, produced the desired surrender."

BETWEEN TWO RIVERS

young students learning cuneiform, the Mesopotamian writing system. The author, an honorary fellow in Assyriology at Oxford, puts each of the objects in the context of the daily life of the era when they were made. So we learn about a young scholar who left his toothmarks on the clay tablet he was using for his assignment, or a barkeeper whose furniture budget included a suspiciously large number of beds. The hundreds of thousands of surviving cuneiform documents include not only royal decrees and official documents but letters between ordinary people—two mentioned here are a wife asking her husband to come home and a merchant planning his route to dodge tax collectors. The Sumerians, Babylonians, and other peoples who lived in the era were highly conscious of history, drawing connections between themselves and their predecessors—sometimes more than 1,000 years earlier. Their literary achievements include the Epic of Gilgamesh (which the author tells her young daughter as a bedtime story). The era’s advances in astronomy and mathematics contradict any notion that these were primitive, unenlightened times. Still, as the chapter on a stone mace found in the museum makes clear, brutal warfare was a too\u002Dcommon part of life, then as now. A final chapter on the priestess in whose palace the museum was located shows the important and varied roles played by women in Mesopotamian society."

IF ANYONE BUILDS IT, EVERYONE DIES

their alarming title, Yudkowsky and Soares issue a stark warning: Unless we act now to contain powerful superintelligent AI systems, humanity may not survive. Yudkowsky, co\u002Dfounder of the Machine Intelligence Research Institute, and Soares, its president, target politicians, CEOs, policymakers, and the general public in their urgent plea. The book opens with an accessible breakdown of what AI is, how it’s built, and why even its creators often can’t comprehend the accelerating complexity of their own systems. Through parablelike vignettes, the authors expose the underlying realities of AI algorithms—advanced AIs are not engineered so much as grown, operating with opaque and unpredictable results, untethered from human values. The most chilling passages describe how AIs could escape computers and manipulate the physical and financial worlds, eventually repurposing Earth’s resources to serve alien objectives or replacing humanity with their own “favorite things.” The authors warn, “Nobody has the knowledge or skill to make a superintelligence that does their bidding,” arguing that world governments must cooperate to restrict or ideally halt AI research. Policymakers have not yet grasped the full implications of these advanced systems, and the public hasn’t felt the impact in their lives, but the authors caution they must be persuaded to act immediately. While some scenarios seem extreme or unrealistic, including hoping global leaders can agree on defining the problem or collaborating on solutions, the book’s arguments that the risks are elevated and time is short are persuasive. There is excellent information and food for thought here, including links to resources for readers motivated to join the fray."

KULEANA

the last king of Hawai‘i. Arriving at an equitable solution to this bureaucratic problem is just one thread of Goo’s narrative, whose larger story is really one of homecoming: Born and raised in California, an East Coast resident for decades, Goo must learn or relearn key points of the people’s traditional lifeways. The title of the book speaks to one such point, one’s obligation to both place and culture, less a burden, she explains, than a privilege: “For example, certain people had kuleana for growing taro or crops in a certain part of the island, or for taking care of a fishpond or teaching hula.” She explores many other concepts as she travels in the company of relatives, who take her, in one instance, to a heiau, or temple, whose purpose is lost to time\u003B says her uncle, “Some people say dey did these tings there like human sacrifice and dat stuff, but we don’t know.” What is clear is that humans are sacrificed, at least metaphorically, for profit in a Hawai‘i made for wealthy outsiders\u003B as Goo laments in closing, “Our culture won’t remain unless each generation—grandparent to parent to child to grandchild—­keeps it burning.”"

THE GODS OF NEW YORK

his perceived mismanagement on numerous fronts. Corruption scandals undermined his administration. Homelessness surged, due in part to federal funding cuts, reductions in mental health in\u002Dpatient care, and local government failures. AIDS was killing thousands of New Yorkers. With City Hall slow to act on the latter, playwright and activist Larry Kramer tried to out the closeted mayor and lambasted federal health officials like Anthony Fauci. Conservative writer William F. Buckley Jr. said people with HIV should be tattooed to prevent its spread. Meanwhile, crack decimated poor neighborhoods, as “an inherently biased law” imprisoned many Black users and spared white users of powder cocaine. Violent crime and racial conflict stoked by tabloids made Al Sharpton famous and fueled international interest in Spike Lee’s Do the Right Thing. Rudy Giuliani’s profile rose as he prosecuted Wall Street crooks. And Donald Trump, after making some bad business deals, “was now refashioning himself into the city’s white id,” Mahler writes. When Trump made inflammatory statements after five Black and Latino teens were accused—falsely, it turned out—of raping a woman in Central Park in 1989, famed columnist Jimmy Breslin wrote that he had “destroyed himself” as “all demagogues ultimately do.”"

WHAT WE CAN KNOW

climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self\u002Dreliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge\u003B already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers."

CIRCLE OF DAYS

Genre

EXILES

Genre

GHOSTS OF HIROSHIMA

survivors, include the sight of a cart falling from the sky with the hindquarters of the horse pulling it still attached\u003B a young boy who put his hands over his eyes as the bomb hit—and “saw the bones of his fingers shining through shut eyelids, just like an X\u002Dray photograph”\u003B “statue people” flash\u002Dfossilized and fixed in place, covered in a light snowfall of ashes\u003B and, of course, the ghosts—people severely flash\u002Dburned on one side of their bodies, leaving shadows on a wall, the side of a building, or whatever stood nearby. The carnage continued for days, weeks, and years as victims of burns and those who developed various forms of cancer succumbed to their injuries: “People would continue to die in ways that people never imagined people could die.” Scattered in these survivor stories is another set of stories from those involved in the development and deployment of the only two atomic weapons ever used in warfare. The author also tells of the letter from Albert Einstein and Leo Szilard to Franklin D. Roosevelt that started the ball rolling toward the formation of the Manhattan Project and the crew conversations on the Enola Gay and the Bockscar, the planes that dropped the Little Boy on Hiroshima and the Fat Man on Nagasaki. We have to find a way to get along, one crew member said, “because we now have the wherewithal to destroy everything.”"

HOT WAX

Genre

A GIRL WALKS INTO THE FOREST

magical beings, the yiliksii, or “cursed children of the forest.” She’s accompanied by her brother and his wife, but when a beast attacks them in the forest, clawing Valla’s face and destroying the beauty the Count expects, she falls gravely ill, hovering near death. When she wakes from her fever, she meets with unexpected kindness from Ermo, her betrothed’s brother, that stands in stark contrast to the heartlessness of the Count himself. Both the man and his castle are nothing like she imagined: They’re dark, desolate, and steeped in cruelty. Joined in the castle only by the Count’s sister, Yulnia\u003B sinister physician Kiril, who’s Yulnia’s confidant\u003B a handful of servants\u003B and an unimaginable, foreboding presence, Valla begins to unravel the castle’s mysteries. As she does, something stirs within her, calling her to violence and awakening with every secret she uncovers. Well\u002Dcrafted and deeply unsettling, this folktale\u002Dinfluenced horror novel will captivate fans of the genre, but it’s not for the faint of heart. Valla’s character is richly developed, her transformation from a helpless sacrifice to something far more formidable unfolding with haunting intensity. Main characters are cued white."

SEVEN REASONS TO MURDER YOUR DINNER GUESTS

Genre

A TOUR TO DIE FOR

Genre

DAYBREAK

Cog’s inhaling his homemade cornets, Marcus offers to make them lunch the next day—and soon, he’s making them lunch every Thursday. The two start spending more time together. Clueless about Marcus’ interest, candid, sincere Cog inadvertently stokes his affection. Cog’s best friend, Toma, however, is not so clueless and encourages Cog to set a firm boundary. But it turns out that Cog doesn’t really mind Marcus’ attention. This slice\u002Dof\u002Dlife rom\u002Dcom explores the feeling of being in the throes of a first crush. The fun, colorful, and dynamic artistic style suits the lighthearted vibe. However, the plot consists of a series of cute, loosely connected moments, resulting in underdeveloped characters and thin worldbuilding\u003B the latter is exemplified by the book’s unclear setting. The Black\u002Dpresenting leads are surrounded by a racially diverse cast at a school that has Japanese influences, but without a cultural anchor, some of the characters’ behavior and reactions feel unclear. Rather than the characters themselves driving the narrative, the need to maintain the tension of their unrevealed feelings is central, making the story sometimes feels contrived. Nevertheless, those seeking a straightforward, queer cotton\u002Dcandy romance likely won’t mind. Readers familiar with manga iconography will notice clues to the leads’ feelings."

GRAY DAWN

Genre

THE ART OF VANISHING

Jean Matisse, who lives with two of his siblings and his mom in a painting by his father, Henri. The “Elizabeth Bennet” in question is Claire, a new night\u002Dshift cleaning person at a private museum seemingly modeled on the Barnes Foundation in Philadelphia, where hundreds of paintings are hung edge to edge in a giant mansion. Ever since she was a little girl, Claire\u0027s had the feeling that there’s a way to cross over into the world of a painted image, and she’s about to find out she’s right. Later, after the pair has fallen in love: “We played cards with Cézanne’s farmhands, shot the breeze with Seurat’s models, and swam in the Medi­terranean Sea.” As the subjects of the paintings skip from one canvas to the next to get some variety in their frozen lives, one of the most popular hangouts is “Le bonheur de vivre,” a Matisse which depicts a clothing\u002Doptional seaside bacchanal. This escapist adventure and beautiful love affair is deeply satisfying, almost therapeutic, for young Claire, who has a lot of responsibilities and complications in the real world. At one point, she starts to realize she could be missing important calls while she’s over there in La La Land. “Of course there’s no cell reception in—what year is it in this paint­ing?” “1905 or 1906, I think.”  In addition to the details of Claire’s backstory, Pager throws two big real\u002Dworld developments into the mix—Covid\u002D19 and a museum heist. But the real joy of this book is the world she has invented on the other side of the canvas, a kind of Phantom Tollbooth for grown\u002Dups."

THE AFTERLIFE PROJECT

day. Great vees of migrating geese fill the air with their throaty honking.” The final act takes a noticeable but not entirely drastic turn, culminating in an extraordinary and befitting denouement. "

DREAM ON

winning a contest." />