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Cover of MANNAZ

MANNAZ

by the end, there are definite changes at the highest levels and richly deserved rewards for those who brought them about."4.0/5(1,280)

Cover of MARIA LA DIVINA

MARIA LA DIVINA

by dumping her for Jackie Kennedy. All of these events and encounters and settings (including Venice) speed by in Charyn’s nonstop narrative, daring the reader to keep up. Winston Churchill, incontinent and prone to violent fits, makes an appearance. So does Grace Kelly, whose smile, through Callas’ eyes, is “fictitious” and who “could barely string together two sentences that made sense.” Charyn is at his best getting inside the creative process, offering insight into Callas’ mastery of bel canto and the unfixable “wobble” in her throat that helped define her. We learn how her poor vision prevents her from seeing the conductor’s baton and requires her to memorize where everything is placed onstage. And then there’s the key role played by her beloved canaries, singing partners to the end."4.4/5(11)

Cover of MARROW

MARROW

by a group of self\u002Dproclaimed witches, it’s a distinct possibility. She grew up on Marrow Island, off the coast of Maine, at the Bare Root Fertility Center, owned and operated by her mother, Ursula. This fertility center is staffed by midwives who call themselves witches, and who treat their clients—both those who are giving birth at the center, and those who are desperate to get pregnant—with a mixture of holistic and (supposedly) otherworldly medicines. Unfortunately, Ursula doesn’t believe that Oona has the gift of magic, and so Oona spent her childhood on the outskirts, desperate to find a way in, until eventually she was kicked out under mysterious circumstances. As an adult Oona realizes that her way back into the coven is the same as any other woman’s: She needs to be pregnant. But Oona is plagued by a series of miscarriages. She believes these miscarriages aren’t an accident of biology but instead are a curse by her late childhood friend, Daphne, who Oona thinks is punishing her for an attempted spell gone wrong. When Oona is once again pregnant, she successfully sneaks her way back into Bare Root under disguise, attempting to atone for her past and gain entry into her coveted coven. The first half of the novel is a frustrating combination of convoluted and slow. Once Oona begins to uncover some dark secrets at the fertility center, though, Shea finds her footing and the reader will mostly be hooked."3.6/5(73)

Cover of MARSEILLE 1940

MARSEILLE 1940

by France’s collapse, most Americans opposed helping refugees. Running for reelection in November, Franklin D. Roosevelt knew that supporting immigration was a sure loser at the polls. Some readers will recognize Wittstock’s hero, Varian Fry, a young New York journalist: He is at the heart of Julie Orringer’s 2019 novel The Flight Portfolio, which inspired the Netflix series Transatlantic. Together with a few activists, Fry raised money and founded the Emergency Rescue Committee. Carrying a list of names, including 200 German\u002Dlanguage authors provided by Thomas Mann, he traveled to Marseille in August 1940, assigned to spend a few weeks organizing an office to aid refugees. He remained for more than a year. On arriving, Fry realized that thousands needed help to survive as well as navigate absurd procedures for obtaining paperwork to live, travel, and leave France. Fiercely idealistic, he did what had to be done, much of which was illegal and expensive\u003B this offended the ERC, which demanded his return, and the State Department, which refused to renew his passport and denounced him to the Vichy government. Fry finally returned in the fall of 1941\u003B declared persona non grata, he received little thanks. Wittstock detours regularly for accounts of refugees. Readers may recognize names like Max Ernst, Hannah Arendt, Marc Chagall, and Heinrich Mann, but most will be as unfamiliar as they were to Fry, who rescued more than 1,000 people, a lifesaving feat because, of course, death in concentration camps awaited many who were left behind."4.5/5(595)

Cover of MASKS

MASKS

by the centuries\u002Dold monster\u002Dhunting society the Knights of the Night. But a compassionate Knight helped her escape, and she was later found by Stoker, a young adult monster, who taught her how to survive in the shadows of the human world. He also shared a “silly urban legend” about a place “deep downtown, where monsters could live in peace.” Ever since Stoker’s sudden disappearance, Poe has been living with two young monsters named Rice (who has blue skin) and Shelley (who has pink skin, orange hair, and sharp fangs). When neighborhood gentrification means the empty house they’re squatting in will be destroyed, they venture out on Halloween—which provides the perfect cover for their unusual appearances—in search of the rumored haven. But their quest is far from easy, and they encounter danger along the way. Found family and good human allies (diverse in skin tone) who offer support in the face of the actions of corrupt, greedy people lie at the core of the story, offering parallels to the experiences of marginalized groups who must fly under the radar to live safely. The illustrations, which are full of emotion, feature muted colors and loose linework."3.7/5(91)

Cover of MATCHING MINDS WITH SONDHEIM

MATCHING MINDS WITH SONDHEIM

by many of his friends. His Murder Game inspired the song “Finishing the Hat.” In the 1960s he’d occasionally appear on TV game shows like The Match Game and Password, always anxious to win. He was also New York magazine’s puzzle editor. Joseph goes into great detail outlining the musician’s treasure hunts. “Tackling one of Sondheim’s puzzles can feel like being lost in the face of an unknown language,” the author writes, but the 2013 City Center Treasure Hunt offers insights, as it was “thoroughly documented” by Maria Seremetis, whom Sondheim hired as an assistant. Joseph even gathers together a group of friends over Zoom to reenact the hunt so that they could all experience the fun of matching minds with Sondheim. Joseph discusses the composer’s movie board game, Stardom, designed when he was in his early 20s. The Great Conductor Hunt was designed for his friend Leonard Bernstein. Sondheim was also a word puzzle designer, especially crosswords and challenging cryptics. Stephen Sondheim’s Crossword Puzzles was published in 1980. He was even passionate about elaborate jigsaw puzzles, giving them as gifts to performers in his musicals. Late in life, he got into escape rooms. Joseph estimates that nearly 2,000 of the composer’s possessions, which were auctioned off, were related to puzzles and games."5.0/5(3)

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