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Cover of MELINDA WEST AND THE GREMLIN QUEEN

MELINDA WEST AND THE GREMLIN QUEEN

by going after a single “grem” that they spotted in Fallows, which ultimately leads them to crowds of the creatures. The gunslingers, armed with pistols, dynamite, and a crossbow, garner new allies, including the recently widowed and noticeably pregnant Brigitta\u003B alchemist witch Nox, and several others. The grems are able to multiply at an alarming rate, so it seems that the only way to take them down for good is to somehow ensure that they stop laying eggs. Grifant’s taut follow\u002Dup to Melinda West: Monster Gunslinger (2023) wisely devotes more time to establishing its unforgettable setting. It’s not a monster story set in the Old West, but rather a Western that happens to contain monsters, as evidenced by Melinda and Lance’s attire (each wears a wide\u002Dbrimmed hat and a duster), weapons (six\u002Dshooters with holsters), and means of transportation (ever\u002Ddependable horses Pepper and Mud). The heroes face a variety of engaging challenges, including vicious creatures that hail from the Edge (including “fire cattle” with “too\u002Dwide mouths like sharks”), a fissure between the human world and the monster world\u003B untrustworthy outlaws and refugees at an outpost\u003B and frequently rough terrain. Numerous characters receive the spotlight at various times, including those who appear in only a few chapters. Lance is little more than Melinda’s sidekick, but the duo’s mutual loyalty and respect is unmistakable and a driving narrative force."4.1/5(29)

Cover of MERCY

MERCY

by his own tragedy when readers first meet him hunting fugitives. Later, he allies himself with Alevist. “So much of the history was filled with deceit and manipulation, but also sacrifice,” Erevayn realizes at one point. “So much of what he had learned, now revealed to be false.” In the book’s “About the Author” section, a mention is made that some of Dillon’s writing influences include Steven Erikson’s Malazan Book of the Fallen series and Joe Abercrombie (presumably his First Law trilogy). Readers familiar with those authors will see them all over this fast\u002Dpaced series opener. The usual trappings of epic fantasy are present—maps, glossaries, etc.—but they’re amply augmented by some of the hallmarks of grimdark fantasy, including bouts of gory violence and the liberal deployment of expletives. The characters wield magic in a world of supernatural beings, but most of them sound distinctly contemporary in language and attitude. The novel is also characterized by a great deal of the cynical nihilism that fills the books of the author’s storytelling predecessors. Dillon takes the risk of front\u002Dloading his narrative with the intricate vocabulary and proper names of his story, and despite the presence of glossaries at the front and back of the novel, this gamble doesn’t entirely pay off. Readers unfamiliar with the shotgun\u002Dstyle worldbuilding of the Dungeon Master’s Guide may find themselves swamped by the tale’s arcane terminology. But the author usually overcomes this lack of punchy exposition by keeping readers hooked the old\u002Dfashioned way, with well\u002Ddeveloped characters and smoothly realized dialogue. Alevist dominates the bulk of the story so completely that it’s fortunate he’s drawn as compellingly as he is, a deeply wounded man who’s nonetheless emotionally honest. But even the tale’s main villain, Harglon, often manages to be more than a simple, one\u002Ddimensional bad guy. In his first novel, Dillon accomplishes the crucial feat of making his readers want to move on to his next book."4.0/5(126)

Cover of MIDNIGHT ON THE POTOMAC

MIDNIGHT ON THE POTOMAC

by superior resources and persistence, not battlefield victories, so he was not discouraged after a year of bloody stalemate, although Union morale plummeted. Departing from tradition, Ellsworth gives John Wilkes Booth more attention than Abraham Lincoln and Grant. America’s most admired matinee idol, Booth hated Black people and fervently supported the Confederacy. Ellsworth turns up evidence that he secretly met with Confederate agents. No one knows what they discussed, but the idea that Wilkes was carrying out a devilish Confederate plot has never lacked supporters. Despite remaining skeptical, Ellsworth devotes much of his book to the South’s energetic secret service, whose members engaged in espionage, propaganda, and terrorism throughout the Union and Canada. His breathless account takes the service more seriously than most scholars but can’t conceal its mostly ineffectual schemes, among which were plans to kidnap the president. Booth approved and volunteered his services, but by 1865 efforts had fizzled\u003B the Confederacy was on its last legs, but the plot to kill Lincoln, the vice president, and the secretary of state proceeded under Booth’s leadership. Ellsworth tells the familiar story, followed by the victory that the Union greeted ecstatically despite the shadow cast by Lincoln’s assassination. He extols Black freedom yet admits that persistent racism left a shameful pall over American exceptionalism, which lifted somewhat over the following century but is, of course, still with us."4.3/5(709)

Cover of MINDS IN TRANSIT

MINDS IN TRANSIT

by the poor and desperate. The nobles of Valedon would simply prefer to bury the Underworld and relocate its inhabitants, as so\u002Dcalled “cancerplasts” are rooting there, causing earthquakes that shake the city and threaten to undermine it permanently. Meanwhile, the masters—micros that seek to take over their host, not work with it—have mutated into Traders, capitalists that use financial incentives to encourage their hosts to succumb to their control and who are no longer as easy to detect. In order to flush them out, Chrys has incorporated microscopic quantum computing units within herself, which collectively threaten to achieve sentience in their own right, which many see as a threat. And this barely scratches the surface of all the intrigue connected to the continuing fight for nonhuman sentient rights and political shakeups on both Valedon and Shora. Slonczewski is fond of overloading her characters with difficulties, but this story seems to take that tendency to an extreme. There is almost no letup to the implausible amount of burdens and responsibilities that others pile upon Chrys\u003B she is allowed very little time to enjoy her unique position as a successful artist and a wealthy woman with a fascinating creative collective in her brain. Perhaps it’s her micros that prevent Chrys from having a nervous breakdown, even as they add to her stress. Ultimately, these tensions build to a crisis point, but the resolution afterward is rife with dangling and even expanding plot threads, suggesting that the author has merely chosen a place to rest, not to conclude. Presumably we won’t have to wait another 25 years to find out?"3.7/5(3)

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