All Book Reviews

Browse our complete collection of 8,532 book reviews — page 6 of 86

Showing 100 books
Cover of ALICE, OR THE WILD GIRL

ALICE, OR THE WILD GIRL

by a small, naked, girl of European stock. “Her lips were curled in a snarl and she made a frightened, unintelligible hissing noise,” observes Bird. “Blonde hair, bleached nearly white, hung in thick dirty clumps over the burnt edges of her scalp.” The girl does not speak, but graves elsewhere on the island suggest she is the last of a group of shipwrecked travelers. The ship’s surgeon dismisses the girl as an idiot, but Bird, though not formally educated, can tell she is not. Following the controversial death of another officer, Bird gains control of the girl—who eventually reveals that her name is Alice Kelly—and, following the end of the voyage, turns her into a traveling exhibit, “The Wild Girl of the Pacific.” As Alice confronts her traumatic past and Bird settles into his newfound prominence, both discover that America is a much stranger, harder place than Alice’s desert island. Liska’s prose captures a country that feels equally alien to the reader and to Alice herself: “The stage was just high enough that she could look out and see them all at once, a sea of heads and astonishing hats. When she was not on a stage, most people towered above her\u003B she felt lost in a dark forest of moving figures.” The story largely eschews the sensationalism of Alice’s stage show, unfolding slowly to gradually reveal twin portraits of Americans lost in their second acts. Steeped in loneliness and 19th\u002Dcentury grandeur, the novel is a remarkable meditation on our unlikely migrations through space and time."4.6/5(7)

Cover of ALIGNMENT

ALIGNMENT

by discussing an extremely relevant topic in 21st\u002Dcentury America: discovering the right work\u002Dlife balance. She suggests that this balance is not only impossible to find, but also illusory—either people are ignoring work\u002Drelated things they should be doing, or they’re neglecting their lives in favor of their jobs, particularly when their occupations involve helping others. But “having work that is of service to the world,” Keller Wood writes, “does not require a life of monastic self\u002Dsacrifice.” The way she proposes to avoid these kinds of problems is to abandon the idea of balance and instead concentrate on “alignment.” The key to this concept is the trick of seeing life as a mosaic whose innumerable little pieces will realign themselves in response to changes in employment, family, health, and other factors. Each piece supports the others and gives the mosaic long\u002Dterm durability. Drawing on her experience in the Montessori school of teaching, Keller Wood stresses this flexibility and the “interleaving” (“resting from one kind of work” and switching to another) that’s characteristic of the educational method. The author asks readers: “If your body is weary from physical work, is there a more abstract problem you could puzzle over?” Keller Wood never avoids the “hard truth” that all the pieces of the mosaic she describes are temporary. Nonetheless, she writes with grace and genuine enthusiasm about her conviction that her readers can overcome the situation where “we have a lot on our plate, but we’re feeling less connected to the meaning behind it” and discover personal alignments that will improve their lives. Her lively book is full of vivid narrative examples drawn from her own life and the experiences of others as well as helpful writing exercises and “reflection questions” designed to make her less of a teacher and more of a Montessori\u002Dstyle “guide.” Teachers at all levels will consider the book useful, and harried, overworked readers will find it a welcome call to slow down and take stock."

Cover of ALL THAT DIES IN APRIL

ALL THAT DIES IN APRIL

by the village healer, Octavia, makes up her mind to follow the mountain streams in the direction they flow, hoping to come to the sea. Relicario is stunned by Lina’s absence and soon decides to follow her. Accompanied by a wise donkey named Jumento and the bones of his mother and father—all of his family he could fit in the cart—Relicario begins a long, arduous journey, guessing Lina’s course at every turn, while his wife forges on before him, entering into worlds and ways of living that Relicario cannot begin to imagine. Meanwhile, a series of coincidences conspires to create a reunion no one in the Ramos\u002DCruz clan could have anticipated, all as the destructive torrents of April begin their seasonal scouring of the land. Spare and yet echoing with voices, Travacio’s English\u002Dlanguage debut captures the haunting cycles of death and displacement but also of life, joy, and the succor of community in a place where “families come together and break apart…as easily as storm clouds in the sky.”"4.1/5(1,605)

Cover of ALL THE WAY TO THE RIVER

ALL THE WAY TO THE RIVER

by then had become a distant second fiddle to the relationship with Rayya), and the two became lovers. There was a good part, and then a very bad part in the months leading up to Rayya’s death in 2018. The book also follows the story of Gilbert’s subsequent recovery from sex and love addiction through devoted adherence to a 12\u002Dstep program. Since she does not “have the heart to write out the excruciating details of the binge that I went on” after Rayya died, citing concern for the privacy of others, she focuses instead on the spiritual and emotional progress she has finally been able to achieve, documented in earnest poems and winsome doodles as well as well\u002Dwritten anecdotes. “Readers of my earlier work may remember that I reached nearly this same level of peace and tranquility back when I was in India, in the middle of my Eat Pray Love travels, after months of disciplined prayer, meditation, and retreat.” The difference this time, she says, is that she has the support she needs not to “drive my life off a cliff all over again.”"4.0/5(4,239)

Cover of AMANDA

AMANDA

by several names in a book where identity is fluid and characters enjoy sexual role\u002Dplay—have not seen each other since Marion left England the year before. Now she has returned and begun a temporary job as a governess. Outwardly competent, she carries on a disturbing internal dialogue about her past—a girlhood in Ireland that ended in abusive sex and violence, her escape to a new identity in Oxford, the ecstasy of her love affair with Jamie—along with her current guilt, regret, and fear of mental illness. The reader is uncertain just how damaged Marion is when Jamie’s narrative takes over. He too is clearly competent in his professional life. The boarding school that was central to Cross’ first and second novels, Wilberforce (2015) and Grievous (2019), plays an ancillary role here\u003B while engrossing, Jamie’s efforts to solve the school’s problems take a backseat to his emotional turmoil. Bedeviled by various forms of guilt about his past, especially during the war, he struggles to connect with his ailing Anglican Bishop father, whom Jamie assumes disapproves of him. Above all, he is baffled by why Marion disappeared from his life and is obsessed with finding her. His optimism about their possible future together initially seems in sharp contrast to her resistance. Is he delusional too? Gradually, though, the separate dark stories of their emotional crises evolve into a love story that verges on romantic comedy, complete with miscues, disguises, and the bishop’s manipulations. Along the way, Cross tackles such small issues as faith, the Easter Rebellion, and British classism. The elliptical style isn’t easy, but it’s worth the effort. That Cross’ voice—some combination of Edna O’Brien, Muriel Spark, and maybe a pinch of Jane Austen—comes from a contemporary American writer is hard to believe."5.0/5(1)

Cover of AMPLITUDES

AMPLITUDES

by a violent militia in “Fettle \u0026amp\u003B Sunder.” In Sarah Gailey’s “MoonWife,” a digital medium channels the spirit of a trans man’s late friend, while in Esther Alter’s “The Shabbos Bride,” a Jewish trans woman receives a Shabbos miracle that remolds her entire body. Editor Mandelo has pulled together 22 stories from some of the strongest speculative fiction authors working today. The writing is crisp, clean, and evocative throughout. Every tale opens onto a different vision of the future—some far\u002Dflung, others right around the corner, and each as compelling as the next. Although the mood shifts frequently throughout the anthology—Miller’s tale is easily the most lighthearted, Yoakeim’s the saddest—each story is a poignant, unflinching look at what could be for the LGBTQ+ community. "2.9/5(533)

Cover of AN HEIR OF DARKNESS AND RUIN

AN HEIR OF DARKNESS AND RUIN

by Renna’s father, Am\u002DRe, the god of darkness, chaos, and ruin, and despotic ruler of the Vasarys dimension. Eight years ago, Sethos overthrew and killed Am\u002DRe, who’d adopted him, and not only gained his throne, but also some of his powers, which flow through Renna’s veins, as well. When Sethos tells Renna that he intends to avenge his mother and homeland, Renna promises to help. He helps her learn how to wield her powers to their full, lethal potential. Their relationship becomes more intimate, but when he tells Renna about the destruction of Isyos, where Am\u002DRe once ruled, he leaves out a vital detail: The attackers, whom he aims to kill, were the Celestial Gods who had sheltered Renna in Taria—including Khellios, her past\u002Dlife love interest. While Sethos manipulates Renna, Khellios leaves Taria and goes on a quest to find her. Brower’s sequel is a captivating tale of betrayal, vengeance, and love, primarily told through the perspectives of Renna, Sethos, and Khellios\u003B this gives readers a keen and sometimes\u002Ddevastating understanding of each character’s motivations, which they sometimes hide from others. The masterful worldbuilding features well\u002Ddeveloped systems of both magic and governance. Readers may be mildly disappointed that Renna doesn’t have any meaningful interactions with other women, but her journey—during which she learns to accept and control her powers while maintaining a sense of right and wrong—is truly compelling, as is Sethos’ relentless desire for revenge. "4.4/5(23)

Showing books 501600 of 8,532