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Cover of AT THE HEART OF CONFLICT

AT THE HEART OF CONFLICT

by undermining decades of peacebuilding work. Sandra Melone, founder and CEO of Zancora Consulting, touches on the subject of peacemaking as it relates to supporting women’s rights. “When a government claims that girls and women have the right to health and education,” she attests, “I would say, show us where the health services and education actually are.” The assemblage of these voices makes for valuable storytelling\u003B these are men and women who have faced what Helen Kezie\u002DNwoha describes in her introduction as “the growing complexity of achieving negotiated settlements” in an increasingly fragmented and extremist world."4.5/5(2)

Cover of AT THE WAKE

AT THE WAKE

by a simple, horrifying motto: “Take all you want. Eat all you take.” It’s a lesson that Achiel learned in World War II–era Belgium, where he was born, and where his disturbing, violent nature found its darkest flowering—first, through various black\u002Dmarket schemes, and ultimately, through rounding up and murdering Jewish people as a German soldier.Given license to do as he pleased, Achiel was untroubled by his choice: “I spoke fluent German, so why not?” he notes at one point. He made an easy transition to life in the United States after the war, where he shed his Nazi past as easily as a rattlesnake loses its skin. However, his adult children—Sophie, Lucas, Ruby, and Ronnie—find it hard to shake off Achiel’s later murder of man named Clifford Ellis in 1975. It’s a crime that will leave them buckling under the weight of their own moral compromises, as one character plaintively admits: “I did what Dad told me. Am I going to get into trouble now?” Bit by bit, the story unfolds in a haunting, evocative style, zigzagging with jump\u002Dcut logic from their father’s imprisonment in the ’70s to the carefree American 1960s,’40s\u002Dera Belgium, and back again. Readers may find these narrative shifts endearing or irritating, but they’re a feature, not a bug, highlighting how people recall unspeakable crimes in disjointed fashion. The weight of the tragedy gradually becomes clear via court papers, letters, and even the prayers of Achiel’s wife, Lucia, who finally confesses: “Yes, I can forgive him, but I can’t love him.” Rewards are plentiful for readers who pay sharp attention. "

Cover of AUDITION

AUDITION

by their physical suffering, lingering amnesia, and the need to keep up a constant stream of mind\u002Dwiping chatter—but a careful reader can begin to put together the story behind this story as snatches of the lives the giants lived “before the classroom” begin to come into focus. Stunningly inventive, this book is told in three parts that explore the simultaneity of past, present, and future as the three main characters’ voices loop and swell around each other. Though readers may find themselves challenged by this form—akin to Virginia Woolf’s The Waves meeting a 21st century version of Philip K. Dick—the rewards of a sustained read are abundant."3.6/5(511)

Cover of AURORA

AURORA

by the Collector, who has light skin, green eyes, and black hair. Wounded blue\u002Deyed Kendal, who’s born from Vash’s remaining essence, is left for dead but saved by purple\u002Dskinned, pink\u002Dhaired Alinua, a self\u002Dexiled cloud elf with a curse—or maybe a gift. With no way of knowing which she bestowed on Kendal, the two decide to travel together to rescue Vash’s soul. Meanwhile, a great mage, who’s light\u002Dskinned and brown\u002Dhaired and has power over all the elements, accidentally springs a trap that was millennia in the making. Fighting for control of his body, he’s saved by Kendal and Alinua and agrees to assist them—if they help him find a means to expel the malevolent spirit before it implements its plans. The plot\u002Ddriven story balances action sequences with intriguing plot developments and extensive worldbuilding. Red renders her full\u002Dcolor illustrations in a clean style that effectively conveys dynamic moments. However, information is too often introduced well in advance of its relevance, interrupting the pacing and creating information overload. This disjointed approach makes it difficult to ground oneself within the story or fully connect with the characters. "4.3/5(76)

Cover of AUTOMATIC NOODLE

AUTOMATIC NOODLE

by the restaurant owners, who skipped town to avoid fraud charges. Needing to pay off their contracts and seeking a purpose, they decide to reopen as a noodle shop, even though their limited civil rights mean what they’re doing isn’t entirely legal. Why is it so important to make tasty food when robots can’t eat? To what degree should they pander to human comfort to make this place a success, and more seriously, prevent the authorities from noticing that robots are running a restaurant without human supervision? As they confront these weighty issues as well as the logistics of developing their enterprise, an online review\u002Dtrolling campaign from “robophobes” threatens to downgrade them out of business. On the surface, this novella could be viewed as the SF equivalent of Travis Baldree’s cozy fantasy Legends \u0026amp\u003B Lattes (2022), about an orc’s quest to establish a coffee shop. But this richly flavored bowl of noodles offers additional toppings, such as edgy social commentary about climate change, PTSD, and the ways in which social media and apps like Yelp and DoorDash gatekeep restaurant publicity, ratings, and sales, creating a distorted depiction of a business with little resemblance to its physical reality. The robots also serve as a metaphor for transgender people specifically and minorities in a general sense, as the story explores the uneasy balance between attempting to assimilate to get along and trying to feel at ease in one’s own body and personhood."3.9/5(4,194)

Cover of AWAKE

AWAKE

by white supremacy, racism, sexism, greed, and ugly secrets. “Imagine my surprise when I began discussing white supremacy, and tons of my Christian followers lost their shit,” she writes brightly. (There’s not a lot of blue language here, but when it comes, it’s just right.) The author goes on to write of middle\u002Dage dating, “purity culture,” body shaming, and a careful kind of forgiveness while proclaiming a hard\u002Dwon feminism: “Women are the eighth wonders of the world. May we love this little life with exposed beating hearts, tender regardless, despite it all.”"4.7/5(1,937)

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