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Cover of THE 1929 KELSEY QUILTERS

THE 1929 KELSEY QUILTERS

by 22 additional unsewn blocks, was discovered by the author’s family in the estate of her husband’s aunt in 2018. In tracing the mysterious origins of the quilt—both sewn and unsewn blocks featured the same eight\u002Dpoint star pattern, but with a different name embroidered on each—the narrative puts together lost pieces of both Hamberlin’s extended family history and that of an entire Southern community of families belonging to the Church of Jesus Christ of Latter\u002DDay Saints. The quilt, as the author learned, was made by a tight\u002Dknit group of women who lived in the Mormon community of Kelsey, Texas. While now a ghost town, at the turn of the 20th century Kelsey served as a haven for Mormon converts from the religiously oppressive South. (Even after the church banned polygamy, which was used by its opponents as justification for their persecution, its members continued to be met with hostility.) Exploring the lives of the women who worked on the quilt in 1929, this work uncovers a rich history of Kelsey’s town life, from its public school staffed by Mormon missionaries to its stores, farms, and mills built by the faithful. The text is at times hagiographic, written by a believer in the church’s teachings (the study of Kelsey, Hamberlin notes, “has strengthened [her] testimony of [her] Savior and the Atonement”), which may not resonate with those from different faith traditions. The study nevertheless draws on an impressive array of primary sources—from family oral histories to archival materials—to paint a vibrant portrait of life in Kelsey from the perspective of its women. Supplemented by a wealth of photographs, this is an accessible, engaging local history."

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Cover of THE ACADEMY

THE ACADEMY

by Cunningham as co\u002Dauthor. As their delicious new book opens, it’s Move\u002DIn Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second\u002Dstringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding\u002Dschool rankings that a high\u002Dprofile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high\u002Dstyle secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits."⭐ 3.9/5(5,546)

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Cover of THE AFTERLIFE PROJECT

THE AFTERLIFE PROJECT

by day. Great vees of migrating geese fill the air with their throaty honking.” The final act takes a noticeable but not entirely drastic turn, culminating in an extraordinary and befitting denouement. "⭐ 4.1/5(291)

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Cover of THE ARCHITECT'S EPIPHANY

THE ARCHITECT'S EPIPHANY

by the dastardly Zhehe people, but that just means that the stage is set for a City Builder—in this case the young Ocean Hacklin, heir to the great City Builder Yishan Hacklin—to rebuild Aye\u002DShan City all over again, using his superhuman Naoyang skills. Before that can happen, however, Ocean must team up with Shaman Ling Tiber\u003B together, the duo, along with a comical company of other Aye\u002DShan City refugees, set out to locate the fabled Guardian Beast. Readers may see parallels between Tolkien’s Lord of the Rings series and the story of the fallen city of Aye\u002DShan: Both set technology and the natural world at odds with each other. The Kwong brothers take the premise one step further in positing that war itself is just part of the natural cycle of things. There is a lyrical quality in both the writing (“The fighting song is loud and clear, the sound of nature changes the world”) and the illustrations. The latter seem to shift and morph into varying styles, some vibrant and colorful, others stark and black \u0026amp\u003B white. At one point, speaking through imaginative speech balloons in prose that gives it an ethereal air of nobility, the mighty Guardian Beast laments how it was overcome after the Zhehe people “tempted Aye\u002DShan people to engage in lewd acts, which generated negative energy and weakened my power.” Will the Zhehe people and the inhabitants of Aye\u002DShan City ever break free of this cycle of destruction and creation? That depends on what the Kwong brothers next have in store for readers."⭐ 2.8/5(5)

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Cover of THE ART OF VANISHING

THE ART OF VANISHING

by Jean Matisse, who lives with two of his siblings and his mom in a painting by his father, Henri. The “Elizabeth Bennet” in question is Claire, a new night\u002Dshift cleaning person at a private museum seemingly modeled on the Barnes Foundation in Philadelphia, where hundreds of paintings are hung edge to edge in a giant mansion. Ever since she was a little girl, Claire\u0027s had the feeling that there’s a way to cross over into the world of a painted image, and she’s about to find out she’s right. Later, after the pair has fallen in love: “We played cards with Cézanne’s farmhands, shot the breeze with Seurat’s models, and swam in the Medi­terranean Sea.” As the subjects of the paintings skip from one canvas to the next to get some variety in their frozen lives, one of the most popular hangouts is “Le bonheur de vivre,” a Matisse which depicts a clothing\u002Doptional seaside bacchanal. This escapist adventure and beautiful love affair is deeply satisfying, almost therapeutic, for young Claire, who has a lot of responsibilities and complications in the real world. At one point, she starts to realize she could be missing important calls while she’s over there in La La Land. “Of course there’s no cell reception in—what year is it in this paint­ing?” “1905 or 1906, I think.”  In addition to the details of Claire’s backstory, Pager throws two big real\u002Dworld developments into the mix—Covid\u002D19 and a museum heist. But the real joy of this book is the world she has invented on the other side of the canvas, a kind of Phantom Tollbooth for grown\u002Dups."⭐ 3.2/5(1,487)

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