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Cover of THE WITCH’S APPRENTICE AND OTHER STORIES

THE WITCH’S APPRENTICE AND OTHER STORIES

by the “answer” in the form of a unique narrative. The opening query, for example, concerns The Wizard of Oz: “When the tornado took Dorothy’s house to Oz, it landed on the Wicked Witch of the East and killed the witch instantly. What was the witch doing in the road in the first place?” The answer, it turns out, involves an argument with her apprentice. Garg explores a handful of tales, including the motivations behind duping the naked emperor (in “The Honor of Emperors and Thieves”) and the reason why Jack (of Jack and Jill fame) was carrying that pail of water in the first place (in “To Fetch a Pail of Water”). Each story varies in length\u003B the haunting “Denying Hamelin” is only three pages, and the longest, “The Beauty Before She Sleeps,” is 33. While none of the stories can be called happy, some are particularly grim in nature—parents left bereft at the disappearance of their children, death, betrayal, etc. Each story gets its own question and answer except for “Sleeping Beauty”and “Goldilocks and the Three Bears,” whose questions and answers combine in what feels like a fever dream involving shapeshifting witches and magic portals. While some stories veer toward the predictable (the real identity of Sleeping Beauty’s new lady in waiting, for example, will likely prove glaringly obvious to readers), these tales aren’t necessarily about changing the narrative of the established story from which they come. Instead, Garg adds depth and background to these familiar characters, making them delightfully all her own."⭐ 4.1/5(24)

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Cover of THE WOMAN WITH FIFTY FACES

THE WOMAN WITH FIFTY FACES

by R. Crumb, or as if Art Spiegelman’s Maus were told by Mr. Natural. There is a trippy terror to the book: Mouths distort, noses grow, eyes bulge out. Its bizarre genius is to take a woman known for her face on Modernist canvases and transform her into a visage fit for 21st\u002Dcentury comics. Lani was an artist of impersonations, a true charlatan worthy of this book’s outré imagination."⭐ 3.7/5(62)

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Cover of THE WOMEN'S ORCHESTRA OF AUSCHWITZ

THE WOMEN'S ORCHESTRA OF AUSCHWITZ

by the Shoah Foundation. Crucially, she tells the story not only of the players, but also of their audience of fellow prisoners. “How could we play light music here, against the background of the flames and black smoke that billowed day and night from the crematoria chimneys?” reflects one survivor. The author leaves open the question of whether the music helped prisoners or intensified their suffering. She makes clear, however, that the orchestra did not play during the “selection” of poor souls sent to the gas chambers. The players’ musical skills saved at least their own lives, exempt from the work squads, though they themselves were exhausted and starving, and Jewish orchestra members were always vulnerable to “selection” for gassing. Their resident block was mere meters from a crematorium, and human ashes settled inside some of their instruments. They experienced the “scandal of music at Auschwitz on a daily basis,” as the Nazis’ abuse of music was itself “a form of torture.” Their playing was an “effort to claw back something of what it meant to be human.”"⭐ 4.2/5(179)

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Cover of THE WORLD'S WORST BET

THE WORLD'S WORST BET

by Lynch, global economics correspondent for the Washington Post. He reminds us that America’s industrial production has been declining since the 1950s and that automation, not foreign competition, remains the biggest factor. Obsessed with cutting costs, American businesses were already moving to Mexico and other nations, but everyone thrilled to China, which had discarded “Maoist idiocy” to open a titanic market to world entrepreneurs. The world was getting richer, and the world’s richest nation could only benefit by trading in this immense, supposedly free market. Giving President Clinton most of the credit, Lynch describes his 1990s crusade for globalization. Business leaders and congressional Republicans were enthusiastic. Labor unions and Democrats were not, but many were won over by promises of government benefits and retraining for laid\u002Doff workers. This never happened. Almost everyone agreed that a free market would bring democracy to China\u003B increasingly prosperous citizens would demand it as they had in other nations (Spain, Taiwan, South Korea, Chile). This also didn’t happen, but globalization did make the U.S. wealthier. From 2000 to around 2015, inflation and prices were low, but the 2.4 million jobs lost created great resentment, along with the feeling that China was playing dirty and muscling in on our status as world leader. The political climate soon turned uniformly anti\u002DChina. Lynch dismisses President Trump’s solutions, which emphasize tariffs and jingoism. Lynch’s own proposals for international cooperation and a generous safety net are political poison today."⭐ 4.1/5(9)

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Cover of THIEF OF NIGHT

THIEF OF NIGHT

by a Blight, and he doesn’t want the Cabals to face the blowback if the truth becomes public. Mr. Punch could do terrible things to Charlie if she fails, but if she succeeds, he’ll help Charlie and Red be free of the Cabals for good. The sophomore novel in a series is always tough, but this sequel proves that the second book can be even better than the first. Black turns the screws on the magical world she set up in Book 1, creating complicated political motives between Charlie and the Cabal leaders and making the question of what it means for a shadow, like Red, to have their own consciousness more interesting. Veteran con artist Charlie makes some truly brilliant moves, especially toward the end, where the last few chapters have one terrific surprise after the other."⭐ 4.2/5(683)

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Cover of THIS IS FOR EVERYONE

THIS IS FOR EVERYONE

by “monopolistic players,” isn’t “in such great shape.” The British computer scientist explains complex technology in accessible language, leaving room for ample self\u002Dpuffery. Berners\u002DLee was working at CERN, the celebrated Swiss physics lab, in the 1980s when he sought “to encourage new and unexpected relationships between pieces of information.” A version of the internet already existed, and “by layering hypertext links onto” it, “we could connect” people everywhere, he realized. He was celebrated for persuading CERN to publish his source code instead of patenting it, part of his decades\u002Dlong effort to make information “accessible and open.” The book’s first third is excellent. Along with his web breakthroughs, Berners\u002DLee lovingly describes how his mathematician\u002Dparents nurtured his creativity. He built a “homebrew” computer in high school and an intercom for his family’s house. The web made Berners\u002DLee famous—Time magazine dubbed him one of the 20th century’s most influential people—and his book doesn’t skimp on the fruits of his renown. He writes of being name\u002Dchecked by Bono during a U2 show and lunching with Queen Elizabeth II: “Her Majesty seemed to enjoy my presence.” He won awards, enough that “I was used to giving acceptance speeches.” Quoted at length, Berners\u002DLee’s wife calls him “open\u002Dminded, fair, resourceful and very kind,” an “obviously brilliant” person who has “complete respect for humans and nature.” Canonization awaits, evidently. Today, Berners\u002DLee works on initiatives to make the internet more humane, to protect users’ privacy, and to urge governments to be more transparent. Artificial intelligence will be “transformative,” and it’s up to citizens to help “define the terms that will govern” the future of technology."⭐ 4.4/5(44)

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Cover of THIS PLACE KILLS ME

THIS PLACE KILLS ME

by Kita is trying to adjust to life at Wilberton, an all\u002Dgirls boarding school. Her roommate, Claire, barely acknowledges her, and Abby spends most days trying to ignore the unkind whispers of her classmates. The members of the Wilberton Theater Society stage a successful run of Romeo and Juliet—then the body of Elizabeth Woodward, who played Juliet, is found after a raucous cast party. Rumors run rampant, and Abby’s tragic past seems to be coming back to haunt her as the other girls begin to speculate about her involvement in Elizabeth’s death. Abby gradually builds a tenuous friendship with Claire. Together, can they find out not only the truth but its connection to a dark, shocking secret buried in Wilberton’s history? With its stunning two\u002Dtoned gray and pink illustrations that cue a 1980s setting through images such as a Walkman, phone booth, and clunky desktop computer, this collaboration between Tamaki and Goux isn’t just a clever and heartbreaking mystery but a deeper examination of bullying, homophobia, and belonging. The central puzzle is certain to leave readers breathlessly enthralled, turning pages as quickly as possible to get to the shocking truth behind Elizabeth’s demise. Abby presents Japanese American, and most other characters read white. "⭐ 3.9/5(382)

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Cover of THREADS OF EMPIRE

THREADS OF EMPIRE

by nomads. From earliest times, Armstrong asserts, carpet weavers have been women, honing their skills in carding, spinning, dyeing, knotting, setting warps and wefts, and designing or reproducing patterns. Considerable skill, as well, Armstrong has found, is involved in rug restoration and repair. For centuries, rugs have been associated with the rich and powerful: Potentates, chieftains, robber barons, and collectors considered the acquisition of prized rugs as a reflection of their own status. Attribution of a rug’s creation and provenance also connects to power. The startling beauty of a particular rug in the collection of the Victoria \u0026amp\u003B Albert Museum led to the assumption that it was made by a team of men. That conclusion, Armstrong asserts, “suited a nineteenth\u002Dcentury Western view which held that if an object was art then it was created by men, and that what women practised was a lesser form of creativity described in the West as craft.” Armstrong reveals the exploitation of rug makers that continues to the present. Twenty\u002Dfirst\u002Dcentury rugs sold in department stores are often crafted by “weary refugees in makeshift encampments” who create products for international trade to design and color specifications and are marketed through export houses. Nevertheless, as Armstrong’s richly detailed history shows, even modern rugs can shimmer with glamor and mystique."⭐ 4.1/5(109)

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Cover of THREE SHATTERED SOULS

THREE SHATTERED SOULS

by a common goal of ending the treacherous rule of King Joon of Yusan, regroup after a bloody battle claims the life of one of their own—the banished Yusanian prince, Euyn. However, there’s little time for Mikail, Aeri, Sora, and Royo to mourn. Bounty hunters and assassins are after them, in part because they now possess three of five legendary Relics of the Dragon Lord. Mikail, who’s just found out that he’s the last surviving member of a royal family, wields the Water Scepter of Wei, while Aeri, King Joon’s daughter, holds the Sands of Tim and the Golden Ring of Khitan. The remaining relics—the Flaming Sword of Gaya and the Immortal Crown—remain with King Joon, who’s desperate to have all five to wield a great deal more power. Meanwhile, the cruel Count Seok, who once indentured Sora, has usurped the throne of Yusan. The group has two goals: overthrow the king and liberate the Yusanian colony of Gaya—Mikail’s homeland—so that it can again be a thriving, independent realm. The relics are powerful tools in combat, but using them is adversely affecting Aeri and Mikail’s health. They need allies, but trusting strangers is a dangerous gamble. Corland’s final book in her Broken Blades trilogy is a relentlessly thrilling and action\u002Dpacked dark fantasy featuring memorable characters, intense battle scenes, romance, and a satisfying conclusion. Alternately narrated by Aeri, Mikail, Sora, Royo, and their long\u002Dlost friend, Tiyung, readers benefit from watching the story unfold through the perspectives of each compelling, well\u002Ddrawn character. The author’s passion for the fantasy genre shines through in the novel’s richly detailed worldbuilding, including vivid descriptions of landscapes and palace layouts, as well as its exploration of magic. Readers will also delight in the sardonic humor sprinkled throughout, as when Mikahil narrates, “Rune thinks he fathered Seok’s son. Truly, the nobility of Yusan has too much time on their hands.”"⭐ 4.1/5(4,937)

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