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Cover of TWITCHLAND

TWITCHLAND

by Pyrink perfectly complement the story’s thematic impact (their utilization of contrasting color, in particular, is noteworthy). Scenes in the local doughnut shop, for example, are depicted in vibrant yellows, pinks, and oranges while sequences at the nuclear reactor site and in shadowy back alleys feature unnatural greens and purples. Lastly, the (timely) subject of the country’s drug overdose epidemic was woven into the storyline with an interesting supernatural twist, and Richland itself was based on the real city of Richland with its dark history."5.0/5(1)

Cover of ULTRAWILD

ULTRAWILD

by chickens that recycle food scraps to create nutrient\u002Drich poo collected by robotic dung beetles, and flying bicycles lifted by “biogas booster pants.” “Everything in this book,” Mushin writes, “is THEORETICALLY POSSIBLE” and if implemented would not only save vanishing species, but would “CRUSH CLIMATE CHANGE like a Matchbox car in a vise.” Readers may find some of his proposals hard to absorb, since he insists on cramming every oversize page with Rube Goldberg–style diagrams or cutaway views of zany factories and devices, and the work is rife with dense bursts of hand\u002Dlettered narrative. Still, the urgency of his message that we are teetering on the brink of catastrophe comes through loud and clear—as does his fundamental optimism that we can still pull off a save. Urging readers to work on “ludicrously brilliant new ideas” of their own, he closes with a flurry of “Invention Starter” prompts. The small line\u002Ddrawn cartoon figures in his illustrations have skin the color of the page."

Cover of UNCOMFORTABLE EITHER WAY

UNCOMFORTABLE EITHER WAY

by steps that readers may take to change their current course. A Life Inventory exercise particularly stands out for its usefulness, as it guides readers to assess where they are now, where they want to be, and what’s standing in the way of their goals. Eaton makes his advice relatable\u003B for instance, a story about “Eighty Percent Brett,” a version of the author who held back, helps to ground the work. By reflecting on his own decisions, the author drives home the book’s central theme of choosing reality over safety, in a way that feels personal, rather than sermonlike. Some ideas will be familiar to seasoned readers of motivational literature, but Eaton’s energy, earnestness, and easygoing style gives them renewed weight. His writing is brisk and unpretentious, and the book’s digestible format and consistent pacing make for an engaging read. "4.0/5(5)

Cover of UNCONVENTION

UNCONVENTION

by friends that “Big businesses always win. Scale always wins,” Kaza found himself wondering, “Are small businesses really destined to fail when faced with bigger competitors?” Pondering this question led him to develop what he calls “Underdog Principles” built around “positioning, proximity, and purpose” and designed to help small businesses compete with their larger rivals by embracing their differences and using them to craft innovative marketing strategies. He focuses his chapters on the stories of small businesses and the entrepreneurs who build them, people who are often “not just CEOs, they’re also the janitors, receptionists, accountants, and HR managers all rolled into one.”Running through all of Kaza’s advice and examples is a refreshingly sincere empathy, a genuine interest in the stories and needs of small businesses that one might not expect to find in money managers and loan officials. Whether it’s “a quality place to eat” or “I need my 5,000 psi hydrostatic drive to be rated for both high and sub\u002Dzero temperatures,” the author always tries to put himself in the shoes of the customers. “Don’t worry about matching your cost analysis exactly to the customer decision journey stages,” he advises his readers. “Focus instead on where you can track concrete numbers, such as how many clicks your ads get or how many trials convert to sales.” Most of this advice revolves around his “Underdog Principles,” which are winningly simple: positioning (having a well\u002Ddefined customer base), purpose (sometimes focusing on a problem that needs solving rather than “conventional business metrics”), and, perhaps most important of all, proximity (knowing your customers well enough to understand what motivates their decisions). The homespun quality of Kaza’s business anecdotes helps to underscore the viability of these principles. For instance, the author tells of meeting body shop owner Mike because his own car needed work, and Mike’s Yelp reviews were superb because he’d taken to asking satisfied customers to leave reviews. “Sharing your personal story or business challenges with your customers can feel a little risky,” Kaza writes, but “The trust you build as a small business owner is your most valuable asset.” This consistently personal tone fills the book with a sense of optimism that will be much appreciated by entrepreneurs and small business owners at all stages of the game."

Cover of UNDER

UNDER

by his neighbor’s newly raised Gadsden flag—the kind that says “Don’t Tread on Me”—and decides to confront him. A couple enacts a scheme to prevent a man from parking his truck in front of their house. These are some premises of Pourciau’s fourth collection of short stories, mostly depicting the first\u002Dperson perspectives of aggrieved, suspicious, emotionally isolated people obsessing over others’ hidden thoughts. Pourciau’s oeuvre focuses almost exclusively on minor disruptions to our daily routines that have the potential to drive us mad. The longest story—one of the best and most complete entries, “Invade”—describes a woman incessantly pestering her new neighbors for an invitation to help them redecorate, eliciting increasingly curt and hostile evasions. Averaging around four pages each, most of the entries are incredibly slight and largely absent of closure, suspending readers in emotional purgatory. Trying to read just one at a time has the addictively insubstantial effect of eating a single potato chip. But beware: Attempting to ease the irresolution by binging a bunch in quick succession can be downright nauseating from ingesting such unrelenting paranoia. Steeping oneself in Pourciau’s world of lunatic anxiety and claustrophobic discourtesy can be overwhelming, but the cumulative impact is hard to dismiss—and the familiarity of the situations he explores is a sign of the times. One character summarizes a core truth connecting the vignettes: “Society is based on the premise that we remain civil and make the best of our proximity to others.” And another adds a corollary: “Liberating suppressed thoughts can stress the veneer that holds us together.”"2.0/5(1)

Cover of UNDERSPIN

UNDERSPIN

by the dizzying number of characters introduced and not a lot of action. But patient readers will be rewarded as stray details from the opening return with new resonance and seemingly minor characters step into more important roles later on. Midway through the book, it becomes apparent that Zhao is a master of careful plotting and mystery—the real kind that cottons to morally complex situations. Kristian excels at coaching because he’s both kind and cruel, distant from his athletes and too intimate with them, wounded himself and wounding. It’s almost impossible to like him until he appears in his own voice in one of the final chapters. A poet of table tennis, Zhao turns this underappreciated sport into a nimbly described choreography of Tomahawk serves, switch\u002Dhanded chops, and forehand and backhand loops."4.1/5(45)

Cover of UNFOLDING

UNFOLDING

by a division of CCAR Press—the publishing arm of the Central Conference of American Rabbis (the Reform movement’s rabbinical association)—Kedar’s book is a broad\u002Dbased Judaism\u002Dspecific resource that doesn’t subscribe to a particular denominational path. The book doesn’t explore every High Holiday concept, and its selections and essays appear intended to appeal primarily to liberal, as opposed to more traditional, Jewish audiences. Still, Kedar’s book could potentially reach a wide readership, as the sources are wide\u002Dranging and engagingly venture beyond traditional religious interpretations of High Holiday themes."

Cover of UNICO

UNICO

by Mother. Meanwhile, the evil goddess Venus covets Unico’s horn for her own purposes and summons Iver, a reptilian interstellar hunter from the “deathly garden,” where she’s stored beings who might be useful to her. She sets Iver free to seek Unico across space and time and “make him and those around him suffer.” The storyline is highly energetic, and the bright, dynamic frames and varied layouts will sustain readers’ interest. The characters and intriguing settings are nicely detailed, and the rich colors and effective use of light and dark contribute to the atmosphere. "4.5/5(171)

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