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Cover of THE LACK OF LIGHT

THE LACK OF LIGHT

by suicide 20 years earlier—a fact we learn in the first chapter but come to fully understand only 700 eagerly turned pages later. The narrator is Keto, who grows up in a delightfully quirky household with two battling grandmothers, a widowed physicist father, and a beloved older brother\u003B the story follows her friendships with brilliant Ira, daring Dina, and beautiful Nene, the darling daughter of a mobster family, from their schoolyard beginnings, through young loves, emerging talents, and life\u002Dchanging decisions, everything thrown into high relief by the unfolding disaster around them. Ferrante lovers will find many echoes of the Neapolitan novels here, the plot similarly featuring almost mythic levels of intensity in love and grief, centering the importance of women’s friendship. An unexpectedly moving translators’ note says that the novel, while not autobiographical, is probably Haratischwili’s \u0022most personal work to date,\u0022 a history strongly felt in myriad gorgeously written summary passages like this one: “We, the children of the nineties, who swapped our childhood and youth for Kalashnikovs and heroin—we, of all people, listened to Barry White and longed for nothing more than eternal love and the ecstatic fruits of that love, for fun and excitement. We, of all people, let the music play. And how! We played it right to the bitter end.”"4.4/5(7,371)

Cover of THE LAST TIME WE SPOKE

THE LAST TIME WE SPOKE

by the time they got home, though, it was clear that the treatment had not worked, and that his mother was on the verge of death. When she did die, Jesse, devastated, was unable to function. He neglected his schoolwork, not because he wasn’t interested in learning, but because he couldn’t concentrate—a situation that may be partially a result of “ADHD, obsessive compulsive disorder, and intrusive thoughts,” all of which are issues that persisted throughout his adulthood. Eventually, Mechanic found a community of fellow “bad kids,” all of whom “went through something” that “dented our innocence.” Mechanic is convinced that these peers, along with punk and hip\u002Dhop, saved his life. After high school, the author worked at a bookstore, cultivating a love of literature and eventually graduating from college with honors. Years later, he became a father and saw his mother’s death in a new light, understanding how much it must have hurt to lose her chance to know her children as they grew older. Mechanic’s illustrations are vibrant and richly detailed, and his use of patterning is especially impressive. This is a raw account of grieving. While the prose feels overwritten at times, overall it’s a tender and frank memoir that will resonate with readers."4.8/5(16)

Cover of THE LAST WIZARD

THE LAST WIZARD

by necessity, a trio comprises an “elf in pursuit of knowledge, a youngster in search of himself, and a burly dwarf embarked on his own mission to change the world.” In the story’s first half, the action is centered in Springdale’s sole tavern. As the trio become familiar with its patrons and proprietor—who’s also the leader of the village—they pick up mapmaking jobs and other odd quests in exchange for money, beer, and meals. Unbeknownst to the three, the titular unnamed wizard secretly oversees their quests and other local activities. Occupying an abandoned house, he’s prevented from materializing in the flesh, due in part to his ailing health: “My best tactic is to remain invisible, all while quietly pursuing the most unique artifact—the Aard of Being—deep within the dungeons.” With a Blood Moon on the horizon, a missing villager returns as a zombie that heralds necromancers and other dark forces converging. The trio discover a hidden dungeon entrance and embarks on their most dangerous quest yet, with the help of a fallen, a satyr, and a healer, to discover hidden artifacts and origins of evil. Mizgailo’s presents readers with a lengthy read that’s divided between accounts of village life and tales of subterranean exploration. The scenes in Springdale’s tavern are full of banter and bawdy characters, lending the characters’ relationships a greater depth. Grampy, the oft\u002Ddisgruntled dwarf, provides much of the humor in his desires for riches and alcohol: “Any free beer makes me happy.” The plucky boy soldier is engaging as he questions the elders in an attempt to learn more than the Warrior Guild permitted. In an addled dream sequence, his mind inspires some of the novel’s stronger prose: “His flame reflected from the moon, illuminating the tortured continent that was slowly devoured by darkness, calling for dawn.” The elf’s loss of faith is also a brief but compelling plot point. As the explorers descend into different dungeon levels, they encounter room after room of unholy creatures—each as deadly as the last. Readers familiar with role\u002Dplaying games, such as Dungeons \u0026amp\u003B Dragons and Warhammer, will enjoy reading about grisly battles and learning the complex, unfolding rules of the Lands of Amun. For others, the scenes may become somewhat repetitive, particularly when a second troop is dispatched to investigate the same area. The wizard provides an effective anchor for exposition, but this long and sometimes\u002Dconvoluted tale may not engage some casual readers."

Cover of THE LIBRARY AT HELLEBORE

THE LIBRARY AT HELLEBORE

by feeding his own body to the school’s ravenous hosts in order to protect his friends\u003B Delilah is an “immortal sacrifice,” dying over and over again in the service of the gods\u003B while Rowan is a “deathworker” whose destiny is foretold by prophecy. There are some intriguing elements—and it’s often hard to take. Like other postmodern antiheroines, among them Chuck Wendig’s Miriam Black (Blackbirds, 2015, etc.) and Julie Crews from The Dead Take the A Train, Alessa’s primary operating mode is pretty much caustic bitch, and her classmates don’t temper it much. Whether the deadpan violence and body horror is excessive is a matter of personal taste, but there’s no denying that the whole thing is pretty squelchy and it’s not always easy to follow. Proceed with caution."3.3/5(2,695)

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