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Cover of THE FLOATING LAKE OF DRESSA MOORE

THE FLOATING LAKE OF DRESSA MOORE

by researchers. He also hopes that bringing along his lover, William Watts Worthwaddle, a linguist, will improve their faltering relationship. But the journey to Lake Connell spawns danger and obstacles at every turn. For one, Jonathan and William sail the Aquirren River on The Knotted Wood, a ship captained by Marta Bartolome, a pirate commanding an undead crew. Further complications abound, threatening to thwart their goal. The pirate ship is desperately pursued by Commodore Thomas Wilkes, who wants to kill Marta, believing she abducted his wife. The True Religionists don’t want Dressa Moore to be explored, fearing they’ll lose their tight control of the area. Fellow magilurgist Samson Sutter, jealous of Jonathan, tries to cut the funding for the expedition. Miller keeps his story hopping rapidly from one viewpoint to another, but his large pool of characters can sometimes be overwhelming. William, Jonathan, and Marta stand out from the crowd—flawed but somehow likable, capable of surprises. Heartless\u002Dseeming Marta reveals her code of ethics about human life: “I never take one without good reason.” Mocked for his useless linguistics studies (there’s only one language), William nevertheless finds a way to earn respect with his skills. A magical land is imaginatively depicted with airborne pigs eating a shower of lettuce and carrots while gliding above “seashell streets.” Roses rapidly bloom, die, and regenerate. Though there are battle scenes, the book’s tone is lighthearted. “It took me three months to find the perfect\u002Dsized vest!” Marta shouts after being shot in the shoulder. Miller’s riveting novel is so stuffed with characters and subplots that a sequel is announced at the end."4.2/5(6)

Cover of THE FROZEN PEOPLE

THE FROZEN PEOPLE

by an expert in period dress, Ali’s ready to leave. Since so much about time travel remains unknown, it’s a dangerous trip. The team has learned, for example, that travelers must stand in the exact same place they landed in order to return. Proceeding to 44 Hawk Street, a boardinghouse owned by Cain Templeton, most of whose residents were artists, Ali is greeted by the sight of Cain standing over the body of a dead woman. Although people think Ali is odd, she manages to stay in the house and investigate. But her portal is accidentally used by someone else, rendering it inoperative for her and leaving Finn and her team desperate to find a way to retrieve her. The man who used her portal may be a murderer now living in Ali’s present. When Isaac Templeton is found shot to death by an old\u002Dfashioned gun and Finn is arrested for his murder, one of Ali’s colleagues takes her place so she can return to the present and help clear her son."4.0/5(7,229)

Cover of THE GARDEN AND THE JUNGLE

THE GARDEN AND THE JUNGLE

by side in the West, as Plenel chronicles while interrogating “those imperial claims to superiority, domination, and power which have not ceased causing barbarism to appear in the heart of civilization.” Two frequently evoked cases in point are Russia’s invasion of Ukraine and Israel’s war on Gaza, abetted by numerous authoritarian regimes, not least of them Donald Trump’s, which break “with the ideal of a shared world, where human beings, just like the nature of which they are part, are in relationship, ineluctably interconnected, intermixed, and interdependent.” The modern West, Plenel makes plain, is founded on “criminal ideologies and destructive forces”\u003B another case in point is the system of French colonialism, which, alone of the European powers, continues today in far\u002Dflung “neocolonial” places such as New Caledonia—one of many apartheid states, a category in which he also places Trump’s America—and Chad. Plenel is unsparing of his homeland, locating in it the “great replacement” theory beloved of the MAGA right in the U.S. Ironically, Plenel notes, the true law of the jungle is the anarchist theoretician Peter Kropotkin’s theory of mutual aid, where the survival of the fittest gives way to the survival of all who apply. The translation renders many names in their French forms (Kropotkine, Carl Schmitt, Atila), which is a touch distracting, but Plenel’s defense of the Enlightenment ideals of liberté, égalité, and fraternité comes through quite clearly."4.0/5(1)

Cover of THE GHOST OF WRECKERS COVE

THE GHOST OF WRECKERS COVE

by their father’s tales of fictional girl detectives, Cristina and Martha form their own secret sleuthing society and set out to solve the mystery. Their search takes them to the village library, a forgotten museum, and even a crumbling cliffside cave, uncovering clues that tie together ghostly sightings, legendary land pirates called “wreckers,” and a priceless jewel lost at sea. The pair begin to suspect that they may need to help Ida accept the truth of what happened so many years ago—a fitting task for two girls who are also quietly processing the recent loss of their mother. Despite its ghostly apparitions and dark themes, Del Campo’s story is more sweet than spooky, and Liniers’ illustrations employ a muted palette and watercolor texture that matches the quietly emotional story. “I will always believe in fairies and magic,” Martha announces to dismissive Cristina at one point, and this tale of sisterly bonding does indeed feel like a fairy tale, at times. As such, slightly older readers may wish that there were more swashbuckling, ghostly adventure, Still, its quiet pace and subtle tone will resonate with younger, reflective readers who are drawn to atmosphere over action. "4.3/5(84)

Cover of THE GLITCH

THE GLITCH

by engineering an amicable settlement for all. It’s a settlement that involves lots of ice cream, too. Why? “Ice cream makes you happy when you are sad!” Rex doesn’t offer actual explanations for Fred’s software glitch or its timely disappearance, but this unexpected behavior does make the light\u002Dskinned, round\u002Dheaded pacifist seem a little less too good to be true, and his message therefore that much easier to accept."3.8/5(12)

Cover of THE GLOOMLANDS CHRONICLES

THE GLOOMLANDS CHRONICLES

by melodic fae, amusing chatty trees, and tiny, whimsical house trolls. The author balances fantastical elements with relatable ordinary life as the characters grapple with issues of identity, disharmony, and long\u002Dharbored family secrets while journeying toward self\u002Ddiscovery. The pacing could be improved by trimming some of the dialogue and day\u002Dto\u002Dday minutiae, but the novel’s diverse cast, fascinating folklore, and beautifully descriptive prose enrich the tale. (“Her long violet hair, adorned with colorful wildflower petals, cascaded down her back, and she wore an opal gown that shimmered like moonlight against her dark skin,” Rininger writes of a fae.) This imaginative debut will capture the heart and imagination of any adventure\u002Dloving middle\u002Dgrade reader."4.9/5(21)

Cover of THE GODS OF NEW YORK

THE GODS OF NEW YORK

by his perceived mismanagement on numerous fronts. Corruption scandals undermined his administration. Homelessness surged, due in part to federal funding cuts, reductions in mental health in\u002Dpatient care, and local government failures. AIDS was killing thousands of New Yorkers. With City Hall slow to act on the latter, playwright and activist Larry Kramer tried to out the closeted mayor and lambasted federal health officials like Anthony Fauci. Conservative writer William F. Buckley Jr. said people with HIV should be tattooed to prevent its spread. Meanwhile, crack decimated poor neighborhoods, as “an inherently biased law” imprisoned many Black users and spared white users of powder cocaine. Violent crime and racial conflict stoked by tabloids made Al Sharpton famous and fueled international interest in Spike Lee’s Do the Right Thing. Rudy Giuliani’s profile rose as he prosecuted Wall Street crooks. And Donald Trump, after making some bad business deals, “was now refashioning himself into the city’s white id,” Mahler writes. When Trump made inflammatory statements after five Black and Latino teens were accused—falsely, it turned out—of raping a woman in Central Park in 1989, famed columnist Jimmy Breslin wrote that he had “destroyed himself” as “all demagogues ultimately do.”"4.3/5(323)

Cover of THE GOLDEN AGE OF ITALIAN JEWS

THE GOLDEN AGE OF ITALIAN JEWS

by men and women who take advantage of new freedoms and, by the 1930s, find their ways among old prejudices. Jewish Italians served their nation in many ways, “eager to prove that the faith the country had shown in their Italianitá (Italianess) was fully warranted.” Their courage stands in sharp contrast to “the cowardice shown” by the world’s initial reluctance “to take action against the rise of Fascism.” Italian Jewry offers a lesson in ambition and resilience, patriotism and bravery."5.0/5(1)

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