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Cover of THE CIA BOOK CLUB

THE CIA BOOK CLUB

by the CIA, which, brought to Warsaw and other Polish cities by travelers to the West during the brief thaw following Stalin’s death, were circulated via a “system of covert lending.” As English writes, the CIA agents providing funds and books were discerning: They sent fashion magazines and books by the likes of John le Carré and Philip Roth but also by East European and Russian writers such as Boris Pasternak, Joseph Brodsky, and Czeslaw Milosz. Eventually the book smugglers became more daring, publishing samizdat editions through a carefully coordinated series of safe rooms scattered across the country. English celebrates homegrown heroes such as Miroslaw Chojecki, trained as a physicist, who had been arrested 43 times by March 1980 but kept it up all the same. Romanian\u002Dborn George Minden, also honored, concocted a series of ploys to get books and money inside the Iron Curtain, including, daringly, simply mailing banned literature to recipients chosen at random from the phone book. The program was highly effective\u003B as English notes, “By 1962 at least 500 organizations were sending books on the CIA’s behalf.” By the program’s end, thousands of books had been circulated, to the gratitude of their readers, one of whom exalted, “We read poetry and literature. It showed us that there are likeminded people who are above nationality, who we can empathize with, who admire beauty, who admire virtue.”"3.7/5(924)

Cover of THE CODE OF LIFE

THE CODE OF LIFE

by “junk DNA” that doesn’t code for proteins. She’s convinced that it hides a secret, and her research attracts the attention of Carter Industries, an incredibly wealthy corporation involved in “tech, AI, and space dreams.” With their resources, Camille and her colleagues discover that a sequence in human DNA contains specific coordinates: “a celestial map, directing us to a specific location on Mars….written into our very genetic code for millennia, waiting for us to uncover it,” notes benefactor Nathaniel Carter. Camille then becomes a member of the first human crew ever sent to the red planet, where she finds an ancient Martian AI, which explains that there was an advanced civilization there, billions of years ago. The Martians created it when they were on the verge of extinction, it says, so that it could steer development of life on Earth. Now, the AI intends to “merge” its memories with humanity to form one united species. Camille and her crew are afraid that this will mean the destruction of humankind, so they alert the corporation back home, leading to a tense, frightening standoff. In many ways, Masip’s novel reads like a blockbuster SF movie\u003B the action is grand and sweeping, and a few preternaturally skilled characters risk peril and revelation to save the day. The story is exciting and tense throughout, and it’s easy to root for the main characters. However, the book has some of the problems that many movie blockbusters also have: Convenient coincidences occur as the plot demands, which saps the dramatic power, and the novel’s length worsens this problem, as it’s difficult to maintain escalating tension for nearly 500 pages. However, the story’s themes are heartening, and Masip takes care to give his characters rich internal lives and distinct perspectives. Despite its flaws, this novel is a lot of fun and clearly written with care."4.3/5(8)

Cover of THE CONJURING OF AMERICA

THE CONJURING OF AMERICA

by tracing the transformations of the conjure woman from the Negro Mammy during slavery to the Candy Lady, a revered elder in Black communities during the Civil Rights Movement. Powerful figures in Blacks’ battles against racism and sexism, conjure women have inhabited many roles, among them, healers, spiritual guides, midwives and abortion providers, weavers and quilters, hairdressers, and cooks. Enslaved African women brought their ancestors’ use of natural medicine to the plantation, where Negro Mammies applied methods that were noninvasive and boosted the immune system, far different from medical doctors’ bloodletting and purging. Among one Negro Mammy’s remedies was a salve containing turpentine, which cleared airways so effectively it was sought after by whites, including one Southern man who made a fortune marketing it as Vicks VapoRub. In antebellum New Orleans, the Voodoo Queen was central to a community of free women of color who worshiped mermaids. Associated with rebellion and vengeance, Voodoo Queens inspired fear in their white neighbors. Stewart traces the connections of conjure to Aunt Jemima (whose image derived from a minstrel act), the invention of the blues, and even the creation of blue jeans, first made and worn by enslaved people and sewn from “negro cloth,” dyed with the West African plant indigo. Conjure emerges in the art of hairdressers, in cooks whose soul food has the power to bring good luck, and in quilters who designed “busy patterns” in their blankets to distract spirits that brought bad luck. Stewart melds personal reflections, African mythology, and abundant primary sources, most notably interviews conducted by the Federal Writers’ Project, to create a brisk, spirited narrative."4.4/5(90)

Cover of THE CREATIVE CTO

THE CREATIVE CTO

by step, breaking concepts down into smaller, easily digestible segments. He lays everything out methodically and comprehensively, although his thoroughness sometimes leads him into statements of the obvious, such as: “It is important to track any specific risks that may affect your strategy” or “you must determine whether you’re making progress toward realizing your strategic objectives.” Still, the author covers all aspects of the CTO’s job in exhaustive detail, and both existing and prospective CTOs will find this breakdown valuable."

Cover of THE DANDY

THE DANDY

by looking the part. This “rowdyism and larking” ushered in the “masher” at the turn of the century, a ribald lothario who would lurk around burlesque shows to profess their love to the dancers. Later, Andersson keenly connects the dandy’s sharp suiting with trends in gangster fashion and the zoot suits of the swing movement. Present throughout this centuries\u002Dlong evolution is the sneering eye of the press, which spurned dandies as “effeminate members of a third sex.” Andersson pieces together details on styles and their offshoots through a relentless feed of sarcastic articles and cartoons, deftly using these baseless dismissals as keystones to better render the movement. Throughout each case study, the author artfully accounts for dandyism as an amalgamation of both a subculture and the public’s reaction to it, and he harnesses that clash to stitch together a formidable sociological history."

Cover of THE DEVIL'S CASTLE

THE DEVIL'S CASTLE

by the experience of two Germans. Paul Schreber (1842\u002D1911), a judge hospitalized repeatedly for schizophrenia, wrote a vivid memoir that captivated Sigmund Freud. Dorothea Buck (1917\u002D2019), an artist and writer sterilized by the Nazis, spent her postwar life as an advocate for psychiatric reform. As Antonetta writes, Adolf Hitler praised Americans who embraced eugenics—by the early 20th century 30 states followed Indiana’s first\u002Din\u002Dthe\u002Dnation sterilization law, which mandated sterilization for “criminals, imbeciles, idiots, and rapists.” The first section of the book is a detailed, gruesome history of eugenics, peaking in the 1930s with the Nazis’ industrial\u002Dscale sterilization and execution of the mentally ill, along with other “useless eaters.” This was plain common sense, according to Hitler, who proclaimed that nations that support the genetically “inferior” are committing national suicide by encouraging them to multiply when natural selection would normally eliminate them. Antonetta then turns her attention to postwar psychiatry, which began discarding Freudianism in favor of approaching mental illness as a brain disorder with treatments similar to those that worked with diseases of other organs. She maintains that certain afflictions (schizophrenia, bipolar disorder, autism) are not brain diseases but neurodivergence: different ways the psyche deals with the world. They require less “treatment” and more understanding and acceptance. As she writes, “The more kinds of minds we have, the richer our conscious ecosystem.”"3.7/5(3)

Cover of THE DEVIL'S GRIN

THE DEVIL'S GRIN

by an otherworldly presence. Dandelion works in a nursing home and seems constantly distressed. Her father torments her with repeated calls espousing paranoid conspiracies that may be connected to her inexplicable experiences. Robert and Dandelion’s neighbor Gary is an African American cartoonist who knew Robert’s mother and has the supernatural ability to direct real events via his cartoons—sometimes with deadly results. While Gary contends with racism and personal frustrations, his cartoons give him godlike powers—and he keeps his attention on Robert and Dandelion. The artwork and subject matter echo underground comix (R. Crumb is name\u002Dchecked), with cartoonish effects like bulging eyeballs and thumping hearts deployed in extensive and graphic sex scenes. With this as only Book 1 and no resolution to be found in these pages, Graham’s ability to bring these wild elements to a satisfying conclusion remains to be seen. But the energy and tapestry of the work is intriguing."4.4/5(37)

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