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Cover of THE DRAGONKIN LEGACY

THE DRAGONKIN LEGACY

by the Naga may be a sign of the Last War alluded to in a seer’s prophecy that also foretells of a “Team of Five” that will stand up to the Naga. One of these eventual Five is the recently orphaned 11\u002Dyear\u002Dold Sakura, whose late father was a Shrine\u002Ddefending Dragon Guardian. The others include seafarer and mage Myrriden the Traveler, who takes in Sakura as his ward\u003B Myrriden’s magic\u002Dschool student son Emrys\u003B the Archmage Hoth\u003B and the enigmatic Fire Mage Volcan. Crucial to their defense of Cynnahu is the unearthing of an enchantment called the Elder Song, though no one is quite certain what that spell does. Adler’s epic\u002Dlength tale comprises two seamlessly connected novels. The worldbuilding is superb, starting with the Dragonkin and their former continent Cynnahu. The many isles, though they look the same, prove distinct in other ways\u003B one contains Emrys’ school, with an exterior that’s magically different for each individual (to one it appears as a “mist\u002Dcloaked temple”), while another isle houses the formidable, gleaming Blue Fortress. The characters are just as memorable, especially the courageous, same\u002Daged Sakura and Emrys, who put everything into their training and fighting. The standout among the supporting cast is Myrriden’s brother Aneirin, a historian\u002Dlike Loremaster who helps track down the Elder Song. A handful of lengthy conflicts on land and sea reach a worthy climax and a gratifying payoff and epilogue. The author rounds out this story with a traitor or two, a series of magic spells, and at least one death that will hit readers hard."5.0/5(1)

Cover of THE ELEMENTS

THE ELEMENTS

by inflicting her pain on new victims. And her former resident–turned–child psychologist, Aaron Umber, seeks to heal his own damaged psyche by embarking on a life\u002Dchanging journey back to Ireland with his teenage son. Originally published in the U.K. as separate novellas (Water, Earth, Fire, Air), these four interconnected stories pack a wallop when combined in one volume. If the format at times feels too tidy and contrived (especially in the final section), it doesn’t lessen the emotional impact of deeply wounded characters struggling to overcome their guilt and find redemption in the wake of catastrophic trauma. "4.6/5(1,036)

Cover of THE EXEMPLAR

THE EXEMPLAR

by live audiences and those spectating from their heat\u002Dresistant dwellings. Will (the only Black competitor) is one such enhanced clone of a long\u002Dago original. As Will studies for the Crucible, he is disturbed by strange dreams, unanswered questions, and the gaps in his knowledge. Why do some Crucible faculty react emotionally to Will Herndon’s name? Why is his aged grandfather still alive, and being very evasive? (“Will’s heart was beating fast...could it be that everyone—from his grandpa to Amy—were trying to protect others from him? He knew himself. Or he thought he knew who he was at his core.”) The dilemmas and identity questions posed by the author are compelling ones, if somewhat familiar (and yes, The Hunger Games (2008)gets name\u002Dchecked). YA SF readers might also note resemblances to the Maze Runner series by James Dashner—this novel’s climax is literally a maze run—and a cold\u002Dcase mystery at the hot\u002Dclimate narrative’s heart is resolved off\u002Dpage. But at least this cli\u002Dfi dystopian thriller wraps up in one relatively compact volume."5.0/5(3)

Cover of THE FAIRLEY BROTHERS IN JAPAN

THE FAIRLEY BROTHERS IN JAPAN

by request and performing in unconventional venues, such as the back of a souvenir shop at a flower store. An online interview they give about their past gradually helps them pick up more fans\u003B their answers are woven throughout the story, allowing the reader to learn more about the brothers’ personalities, ambitions, and unresolved tensions. (Reflecting on the past, Andy observes, “There’s been so much water under the bridge, the bridge itself washed away—decades ago. But the way you were talking this morning, it sounded like it all happened yesterday.”) The author does not shy away from presenting the flaws in his sibling characters: Andy once stole Chris’ girlfriend, the love of his life, and Chris struggles with dissatisfaction in comparison to his more adventurous sibling (amid reflection and regret, Chris begins to emerge from his shell and find some fulfillment in his present circumstances). Starkey deftly balances nostalgia, humor, and heartbreak throughout, providing authentic\u002Dseeming details about touring Japan while presenting a realistic story of two brothers coming to a better mutual understanding with age. "3.0/5(2)

Cover of THE FALL OF AFFIRMATIVE ACTION

THE FALL OF AFFIRMATIVE ACTION

by Driver, a professor at Yale Law School, shows how the Supreme Court played the defining role in determining the place of race and gender in the fabric of American life. It focuses on the 2023 case Students for Fair Admissions, Inc. v. President and Fellows of Harvard College (abbreviated as SFFA) as the decision that effectively killed affirmative action as a legally enshrined practice. Driver argues that the tradition of taking race into consideration in college admissions created opportunities for historically underrepresented minority students. The author presents material from surveys and studies to show that classroom and workplace diversity enhances intellectual inquiry and fosters a productive competitiveness in the economy at large. He also reviews the arguments against affirmative action: that it privileges identity over accomplishment\u003B that it potentially advances students who are otherwise unprepared for “elite” institutions\u003B that it runs counter to a race\u002Dblind ideal of American meritocracy. SFFA was, in the author’s view, a radical decision, one made not transparently through argument and evidence, but disingenuously. Chief Justice John Roberts’ opinion “managed to violate virtually every tenet of the judicial approach that he announced [during his confirmation hearings]….The opinion evinced no willingness whatsoever to relinquish his own ideological priors in order to embrace the larger institutional considerations.” In short, SFFA was a product of changes in court personnel rather than of principled argument. It is now up to universities, the author argues, not to acquiesce in the face of judicial spinelessness or presidential extortion, but rather to fight vigorously for classrooms inclusive of all Americans, irrespective of the color of their skin or the thickness of their wallets."4.0/5(2)

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