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Cover of KULEANA

KULEANA

by the last king of Hawai‘i. Arriving at an equitable solution to this bureaucratic problem is just one thread of Goo’s narrative, whose larger story is really one of homecoming: Born and raised in California, an East Coast resident for decades, Goo must learn or relearn key points of the people’s traditional lifeways. The title of the book speaks to one such point, one’s obligation to both place and culture, less a burden, she explains, than a privilege: “For example, certain people had kuleana for growing taro or crops in a certain part of the island, or for taking care of a fishpond or teaching hula.” She explores many other concepts as she travels in the company of relatives, who take her, in one instance, to a heiau, or temple, whose purpose is lost to time\u003B says her uncle, “Some people say dey did these tings there like human sacrifice and dat stuff, but we don’t know.” What is clear is that humans are sacrificed, at least metaphorically, for profit in a Hawai‘i made for wealthy outsiders\u003B as Goo laments in closing, “Our culture won’t remain unless each generation—grandparent to parent to child to grandchild—­keeps it burning.”"4.1/5(423)

Cover of LADY LIKE

LADY LIKE

by Emily Sergeant, who has arrived in London desperately looking for a husband who can outrank the odious man to whom her family has betrothed her. When their separate pursuits of the duke bring the two women together, after a few days of bickering both become more interested in each other’s company than anything, or anyone, else. The worldly Harriet is well aware of the nature of her developing feelings for Emily, but it takes Emily longer to understand her emotions. When she finally learns what a Sapphist is, the women connect emotionally and physically. However, society hasn’t changed, nor have the expectations of their families. Lee’s delightful adult debut will please fans of her YA historical fiction as well as romance readers encountering her for the first time. The story, which centers queer and theatrical Regency life alongside the familiar tropes of the London Season, is well\u002Dpaced, with entertaining side characters and rich detail. The clever ending, moving and satisfying on its own, is enhanced by Lee’s extensive, thoughtful notes sharing historical background and revealing that much of her plot is less fantastic than readers might assume."4.1/5(309)

Cover of LAUNCHING LIBERTY

LAUNCHING LIBERTY

by relentless Nazi U\u002Dboat attacks on cargo ships in the Atlantic and inspired by Britain’s Merchant Shipbuilding Mission, the U.S. launched a parallel effort. In roughly four years, shipyards from Maine to Oregon produced 2,710 Liberty ships, each longer than a football field. Christened “ugly ducklings” by the press, the ships were practical but unattractive. Even President Franklin D. Roosevelt, who supported the program, said of the ships’ design, “Anyone of you that knows a ship and loves a ship, would hate them, as I do.” In his readable account, Most injects a sense of urgency and humanity into what might otherwise be a niche topic, an approach complemented by the book’s organization into seven sections composed of short chapters. The narrative is at its most lively in the first four sections, which follow the small group of men who created the Liberty program from the ground up. The massive workforce needed to power their effort came with challenges, ranging from the need for housing and schools to health care. One shipyard’s effort to provide health care for workers built the foundation of today’s Kaiser Permanente Medical Care Program. Racism and sexism accompanied the increasingly diverse population of shipyard laborers. The author documents both, but his discussions sometimes lack nuance. “Wendy the Welders,” shipbuilding’s answer to Rosie the Riveter, are present and accounted for, yet the epilogue’s brief descriptions of their subsequent marriages and/or happy transitions to other jobs leave little room for the complexity of their experiences. Most returns to his strengths in the final two sections, describing the push to build ships faster and faster to meet the needs of a country at war."4.4/5(26)

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